São Silvestre

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

The goal is the culmination of any football match that prevails: the moment of maximum euphoria expected by any team. And the team of Santos is known for being the Brazilian record holder who has rocked the networks to this day. In this essay, idols like Pelé, Robinho and Serginho Chulapa tell how their sensations blended into the Club's own history in its most important moments on and off the field.

A portrait of Brazilian actress Vera Valdez, tracing her years as a model for Dior and, most notably, Coco Chanel; her flirtation with the French New Wave; her complex journey through motherhood; and her imprisonment and torture during Brazil’s military dictatorship.

A portrait of the one hundred years of Santos Football Club, where history is told by the real facts, their meaning and emotion. "To born, to live and to die Santos", the path of the first Brazilian football team to become World Champion twice since its foundation. From Pelé goals era to the irreverent football of Neymar’s generation, the history is told by supporters, players and historians, inserting the football passion into the cultural context of Brazil and inside each Brazilian as well.

A lonely architect attends the funeral of his childhood best friend and embarks on a personal journey of reminiscence and self-reflection.

A modern love story set in Sao Paulo about Heitor, a writer and literature professor, and Julia, a theatre student turned veterinarian. A fight over the telephone propels Heitor into a journey through the chaotic city streets to reconcile with Julia. Their personal history unfolds against the backdrop of the city and its people in a series of events representing the struggle between poetry and science.

The space we inhabit and the emptiness that inhabits us. The blue that floods us. The blue that surpasses us.

After her adoptive father's death, Eva receives a reliquary with mysterious objects hinting at her origins. Seeking answers, she encounters Martin Hirsch, who poses a threat to her journey of self-discovery.

Disagreements, incommunicability between people. What is said is not heard, what is heard is not understood. Everything is ambiguous. What appears to be is not, except poetry.

Sleepless all night, Kobra remembers his life, from the poor childhood in the outskirts of São Paulo to the international recognition of his work. The events unfold between reality and dream. In an intimate journey, we get to know a rebellious, self-taught youngster doing graffiti illegally on the streets of São Paulo's suburbs, up to worldwide fame as a muralist and peace activist.