Adam Ant: The Blueblack Hussar

A therapist looks into the mind of a woman diagnosed as schizophrenic and finds, not madness, but tortured sexual guilt created by the taboos of society.

A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.

Pet Shop Boys Chris Lowe and Neil Tennant embark upon a journey across England - but which England? Is it the half-remembered England of their childhoods, or the brutal reality of Mrs Thatcher's late-eighties England? Along the way they come across many familiar (and sinister) faces. The movie also features some of the Pet Shop Boys' most popular records.

Filmmaker Jack Bond and Salvador Dali got together at Christmas 1965 to make Dali in New York, a highly entertaining film. Dali devoted two weeks of his life to creating extraordinary scenes for the film, performing "manifestations" with a plaster cast. A thousand ants and one million dollars in cash. When he confronts the feminist writer, Jane Arden, sparks fly. "You are my Slave! I am not your slave. Everybody is my slave." Dali recalls his meeting with Freud, "The last human relationship ever" About his wife, 'But for Gala I would be lying in a gutter somewhere covered with lice" Jim Desmond's dazzling cinematography captures the great artist painting as Flamenco virtuoso Manitas de Plata performs. Dali in New York is a rare treat for anyone who loves film and the living theatre of Dali's surreal universe.

Uses two young western people as the mediators between the new gestalt initiated by Jung, Reich and Frederick Perles, and the magnetic chain of a Sufic master, finding that the East and the West, the scientific and the mystical, begin to hold together in a truly organic way.

Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.

A frank dialogue on sexual likes and dislikes that place between a man and his mistress in bed together.