Robert sans Robert

A group of children from the same neighborhood meet a few years later. When the day comes, they meet again and take stock of their lives.

On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.

A clever little girl convinces her grandfather to visit her grandmother, whom she has never met.

Although barely 30, Claire believes she is showing the first symptoms of Alzheimer's disease, a condition from which her mother has recently died. Her sister, Nathalie, is certain that her memory loss, caused by a lightning strike, is temporary. In the clinic where she is being treated, Claire is attracted to Philippe, a man who is still traumatized after a car accident in which his wife and child were both killed. In spite of their personal tragedies, Claire and Philippe fall in love. When Philippe recovers, Claire moves into his home. Then Claire's condition takes a turn for the worse.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

Aram, a young man from Marseille of Armenian origin, blows up the Turkish ambassador's car in Paris. Gilles, a young cyclist who was passing at that precise moment, is seriously injured. Aram's mother feels guilty and feels the need to visit Gilles at the hospital and beg for his forgiveness, something that Gilles does not understand. Against the advice of his comrades in Beirut, Aram decides to go meet his victim.

A young journalist (Lespert) helps the French President compile his memoirs.

This gripping historical drama recounts the story of Armenian-born Missak Manouchian, a woodworker and political activist who led an immigrant laborer division of the Parisian Resistance on 30 operations against the Nazis in 1943. The Nazis branded the group an Army of Crime, an anti-immigrant propaganda stunt that backfired as the team's members became martyrs for the Resistance.

Mali, 1960. The youth of Bamako dance the twist to rock and roll music newly imported from the West and dream of political renewal. Samba, a young socialist, falls for spirited Lara during one of his missions to the bush. To escape her forced marriage, she secretly flees with him to the city. But Lara’s husband won’t let them be and the Revolution soon brings painful disillusions as they dream of a future together.

A dark tale of working-class life in Marseilles, a city in crisis. Interesting characters include a hard-bitten but compassionate fish market worker with a drug addicted daughter and a moody bartender with a shocking secret life.

In Marseille, Rosa, 60, dedicated her life to family and politics with the same sense of duty. Everyone considers her unwavering, until the day she falls in love with Henri. For the first time, Rosa is afraid to commit. Between the pressure of his family, politics and a desire to indulge in her feelings, the conflict is difficult to sustain.

Daniel leaves prison. He returns to Marseilles where Mathilda, his daughter, has just given birth. Nicolas, her spouse, a self-employed driver, is exhausted while Mathilda is a sales assistant on a trial basis. But, one night, Nicolas is assaulted by taxi drivers determined to reduce unfair competition.

Maria, who's not as young as she used to be and who helps people older than her, is living from hand to mouth. She can't quite accept her precarious situation and steals a few euros here and there from all those lovely people she looks after with such devotion, and who adore her for it… But after an accusation of abuse of a vulnerable person, Maria winds up in police custody.