Behind the Make-Up

A stuffy family man cheats on his wife but she refuses him a divorce at first. Meanwhile his mistress resents her second class status.

In this romantic comedy, the king of Ruritania marries an impoverished commoner after he is exiled. Trouble shows up when the king must return to his country and marry an heiress. Fortunately, his first bride has fallen for an army officer and is happy to have her royal marriage annulled.

A father changes jobs with his son, and each learns he has made a mistake.

On her journey to the United States, Marya Nisko falls in love with another immigrant, Sascha Rabinoff. Arriving and discovering her sister's poverty, she fails as a lady's maid and then arranges an introduction to a theatrical manager, though Sascha is opposed to her becoming a professional dancer.

The title character is office-boy Barney. Pretending to be a deaf-mute, Barney tries to trump his detective boss Walter Babbing by tracking down the person who kidnapped Peggy Meredith, the daughter of wealthy Agnes and Trumbull Meredith.

A young Londoner disguises herself to become governess of the son of the barrister she loves.

Charming Sinners was a stilted adaptation of Somerset Maugham's play The Constant Wife. Robert Miles (Clive Brook) starts the ball rolling when he falls in love with Anne-Marie Whitley (Mary Nolan), the best friend of his own wife Kathryn (Ruth Chatterton). In retaliation, Kathryn begins a flirtation with her former boyfriend Karl Kraley (William Powell). After reels and reels of verbal fencing, the status quo is re-established, and Robert and Kathryn are reunited.

A struggling writer divorces his wife to pursue his career without interference, but they meet in Europe years later after she has remarried.

A group of strangers find themselves aboard an unmanned ship, surrounded by fog and uncertain of their destination. As they attempt to make sense of their situation, the group of passengers discover a commonality that changes their perception of the nature of their journey. The film was later remade, with some changes, as Between Two Worlds (1944).

Dowdy Sylvia accepts her boss' marriage proposal, even though he only asked her to avoid marriage to another woman. As a wealthy wife, Sylvia changes from plain to uninhibited swan and even contemplates having an affair.

A wealthy London nobleman hires a pretty but poor young woman to distract his playboy son from marrying a golddigger. Complications ensue when the girl and the father begin to fall for each other, and things get even more complicated when the son declares his love for her, too.

That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.