Antigua vida mía

When a concert pianist is crippled in a car accident, his wife turns to gambling and gets in over her head.

Consists of musical performances, mostly Argentine folklore, many of which are accompanied by dancing. Several sequences were filmed in scenic locations throughout the country.

Buenos Aires Rock is a film from Argentina filmed in Eastmancolor directed by Héctor Olivera on his own script written in collaboration with Daniel Ripoll that premiered on January 20, 1983 and had the participation of important interpreters of Argentine rock.

A typical office employee decides one day rebelling against its routine and not going to work because it has a "lazy". His family, friends and colleagues are trying to dissuade him unsuccessfully at the beginning. But as time passed his situation complicated emotional and economically. These circumstances thwart his rebelliousness.

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

A motel that is open all day specializes in beautiful women, and a couple of men decide to visit their rooms.

Leonor Capulletti and Quique Monteschi, fanatics of the same club, love each other in a passionate as well as conflictive courtship, because their respective families are allied in opposing and irreconcilable factions.

The head of a criminal gang has all the power among his men until one decides to testify against him.

A group of boys decides to rob a hotel accommodation for seeking advice which an old offender. In parallel, we see different couples as they arrive at the same hotel and that there be at the time of the assault.

Deathstalker helps Reena the Seer out of a few jams, and she solicits his help for a bigger task. She reveals that she is actually Princess Evie, but the evil sorcerer had her abducted and cloned in order to seize control of the kingdom. Together they travel to the evil sorcerer's stronghold to restore the princess to her rightful position, encountering challenges along the way both from the sorcerer's goons and the fierce Amazon women.

A woman and her daughter live in the unreality of a fantasy life, but soon this magic is interrupted by the disappearance of the mother.

The Valet enters a hotel room with Joseph Garcin in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano and Estelle Rigault, are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.

The warrior Deathstalker is tasked by an old witch lady to obtain and unite the three powers of creation - a chalice, an amulet, and a sword - lest the evil magician Munkar get them and use them for nefarious purposes. After obtaining the sword, Deathstalker joins with other travelers going to the Big Tournament to determine the strongest warrior. The false king holds the true princess in captivity, and plots to have Deathstalker killed, and Deathstalker must fight to free the princess.

A film about the life of Juan Ramón Duarte, Evita's only brother. His ascent, his excesses, and his demise, in the times of Juan Domingo Perón.