Akihabara@DEEP

Seri, an unknown yet talented female chef from the country, arrives in Tokyo to work at French restaurant, Etoire, but discovers that they have gone out of business due to the departure of their main chef. Together with the restaurant's former manager, she opens a French restaurant of her own and begins to recreate the flavors her late father mastered as a famous gourmet chef. Unfortunately, Etoire returns with an unscrupulous manager, and to make matters worse, Seri learns that it happens to be owned by her birth mother living in Paris who she hasn't seen since she was a child. Seri wonders if her passion and skill will be enough to succeed. --TBS

In January 1810 in Edo, Kikunosuke, the 17-year-old-son of a murdered samurai, takes revenge on his father's murderer, Sakubai, who was his father's former retainer. Kikunosuke gloriously defeats the swaggering Sakubai in single combat in front of a theater, witnessed by a huge audience that had just finished watching a production of 47 Ronin. With Sakubai's severed head, Kikunosuke has achieved his revenge and ensured that his family won't be exiled. 18 months later, a ronin named Soichiro Kase from Kikunosuke's domain arrives at the theater. While he seems silly and smooth-talking, he's very keen on finding out more about the incident and Kikunosuke's time working at the theater. The theater's staff – the barker Ippachi, the swordsmanship teacher Sagara, the costumer Hotaru, the craftsman Kyuzo, and the playwright Kinji – are apprehensive and suspicious at his digging. However, not everything is as it seems.

The series depicts "Kyoto as Kyoto people love it" in dramas and documentaries.

A sake brewery of long standing in Kanazawa is deep in the red. The owner’s only son Sagara Shuichi, an elite banker, resigns from the bank because of something that came up, and decides to stake his life on making sake. Grasping at straws, he clings to the legendary master brewer, Washio Yusaku. However, Yusaku is the man feared as an ogre. Shuichi is prepared to be “eaten by the ogre”, but he is thrust into a difficult position when he sinks further into debt because of Yusaku’s pursuit of “perfect sake making”. Moreover, the brewers working for Yusaku are strangers to sake making. They are men and women who have lost their places to go for their own reasons, and have moved in with the sake brewery. One of them is Shuichi’s cousin, Naoki. In the middle of preparing the daiginjo sake on which the fate of the sake brewery rests, an unusual and unpredicted change takes place before Naoki’s eyes. Will the sake brewery be turned around when the drops of liquid of their quest flow?

A top fashion photographer who, after being diagnosed with a life-altering illness, must overcome overwhelming challenges and find hope and strength in her journey of transformation.

In her beloved car, "Grace", a wife is on her way to Narita. Following a bus accident that kills her, her husband, Kikuo, gets access to her GPS which contains the history of all the places she travelled to without his knowledge. Suspecting infidelity, Kikuo embarks on a journey to trace the history of the car's GPS in order to solve the mystery.

The story is set in the 70s where Ishihara plays Fumiko, an university student, who gets involved romantically with her assistant professor Katase Shintaro (Iura Arata) and his wife Hinako (Tanaka Rena). However, on 28 February 1972, the police finds Shintaro seriously injured and a young man working in a electronics store (Saito Takumi) dead in a bungalow at Karuizawawhile Fumiko and Hinako are also present at the scene. The truth behind the case is not known and the case is quickly classified as a crime of passion which leads to Fumiko being sent to prison. 40 years later, a report writer Torigai Mitsuhiko (Watabe Atsuro) comes to know about this case and goes to interview the elderly Fumiko (Harada Mieko) in prison which leads him to find out what really happened at the bungalow.

Toru Kojima and his friend Koji are young student boys with one thing in common - they both love to date older women. Koji is a playboy with several women, young and older, whereas Toru is a romantic with his heart set on on certain lady.

This is the true story of the last officially recorded case of adauchi, when a young man avenged the death of his father by brutally killing the murderers in broad daylight. Samurai revenge killings, or adauchi, was considered a rightful and noble act of honor and virtue.But all that changed abruptly on February 7, 1873, when adauchi became prohibited as part of the Meiji Restoration’s goal to Westernize Japan.

A story about food and romance follows Hua Xiao Mai as she falls in love with a bodyguard. Through her passion for the culinary arts, Hua Xiao Mai starts small and slowly makes her way up in the food business. She meets the cool-headed Meng Yu Huai who heads up a bodyguard agency and excels in martial arts. With his qualities, he is the definition of a true man. Meng Yu Huai and Hua Xiao Mai become quarrelsome lovers who are sweetly in love. (Source: chinesedrama.info) ~~ Adapted from the novel "Shi Wei Ji" (食味记) by Xi He (熙禾).

A Christmas Eve power outage provides a collection of troubled Tokyo denizens the opportunity to come clean on the misdeeds of their past.

A woman has trained her ex-best friend's son to be her sexual slave for 20 years because her best friend stole her first love. What was meant to be revenge. Ending will come with great impact.

In 1980, Ayuko is a new transfer student in Okayama from Tokyo. She doesn't have any friends and relies on her boyfriend Hideo who is a college student. Ayuko likes to draw a romance manga of herself and her boyfriend. Ayuko's classmate, Takemi, becomes a huge fan of Ayuko's manga and they become close friends. Due to an incident though, they drift apart. 30 years later, Ayuko is now a manga artist and comes back to Okayama to give a lecture at her former high school. There, Ayuko meets Takemi who is now a teacher.

This is a “Movie in a Movie” like no other ever before. Kyoei, a historical film studio in Kyoto (Modeled on Toei), is asked by NHK to make a new samurai era program using the most advanced technology. While the elderly filmmakers at Kyoei are struggling with the high-tech equipment, their skills at creating choreographed sword battles are undiminished. The NHK project will dramatize the Ikedaya incident, which was a raid launched by the Shinsengumi against Imperial loyalists gathered at an inn called Ikedaya in Kyoto during the twilight years of the Tokugawa shogunate. A series of problems occur and the climax they reach after overcoming difficulties is an unprecedented attempt at a 360° one-cut scene involving the world’s most advanced high-speed camera and wire action for a scene where Kondo Isami will fall down the stairs at Ikedaya. Can they succeed in filming the single greatest swordfight scene in samurai movie history?!?