Too Soon to Love

In 1980, The Stunt Man, starring Peter O'Toole and Steve Railsback, became one of the most acclaimed motion pictures of the decade -- an odd mixture of black humor and riveting suspense. But the strange history of the film's embattled development, production and distribution has never been fully revealed ... until now.

A fugitive stumbles onto a movie set just when they need a new stunt man, takes the job as a way to hide out and falls for the leading lady while facing off with his manipulative director.

A U.S. engineer in Spain hunts thieves of two candlesticks, one of which is found in his suitcase.

An agent finds himself pitted against a former Nazi who plans to become ruler of the world through mind control.

Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.

Two San Francisco detectives want to bring down a local hijacking boss. But they'll have to get to him before a hitman does.

American engineer Steve Corey comes to Mexico to work at one of the mining projects owned by Katherine Beckman and her half-brother Paul. He meets Katherine, and the man he is replacing, Bill Maxton, tells him that Katherine is his for the asking..."all you have to do is touch her---she goes off like fireworks. There were plenty of guys before me, and there'll be plenty after me." Steve finds Katherine as advertised but he falls in love with her. Once he sees that the romance is for real, brother Paul is more than a little displeased at this turn of events and brings back one of Katherine's earlier flames, Gus Cole, to tempt Katherine away from Steve.

Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.

A color-blind psychiatrist is stalked by an unknown killer after taking over his murdered friend's therapy group and becomes embroiled in an intense affair with a mysterious woman who may be connected to the crime.

At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.

Stock car racer Tommy Callahan is forced to join Pete Madsen's thrill circus after his blackouts cause a fatal accident that gets him thrown off the circuit.

Jenny, a deaf runaway who has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jennie anyway.

Biker gang leader Kisum (Adam Roarke) loves waitress Marcia Little Hawk (Joanna Frank). Her brother Johnnie Little Hawk (Robert Walker, Jr.), the leader of a group of American Indians disapproves. At various times these two groups are adversaries and allies. The two groups join forces but crooked businessmen scheme to have them at each other's throats again. The theme song "Anyone for Tennis" is by Cream. The Iron Butterfly are heard playing their classic "Iron Butterfly Theme." Producer Dick Clark and director Richard Rush made "Psych-Out" earlier in the year.

Gary Kent was the king of B movies in the Sixties and Seventies, working for indie directors from Richard Rush to Ray Dennis Stickler to Al Adamson, but he's tackled even larger real-life challenges.