The Song of the Dead Children

Veneno, a rebellious young drifter, frequents roadside diners where he sleeps with truck drivers. Urgently needing a ride, he meets Muñeco, a hard-edged driver who keeps to himself. He convinces Muñeco to take him deep into the hyper-masculine world of long-haul trucking across the north of Mexico. As they travel together and an unexpected intimacy builds between them, shadows from Veneno’s past resurface, putting both their lives at risk.

Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.

Greed took over California because of the gold rush. It made people thirsty for wealth and land. There, in the newly drawn border between Mexico and the US, a lawless war for control, fueled by the anger and xenophobia of the past war, is led by a group of immigrants who join forces to create the myth of the Latin Robin Hood: Joaquín Murrieta.

Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution network in Mexico. To set her free, Ulises will have to find another girl to replace her. Adapted from Jorge Volpi’s novel, set in the world of juvenile prostitution.

SKIN is the story of a child taxidermist, an outsider in his small town. He is entranced by a girl who finds his work beautiful. But just as their relationship begins to progress, he does something that drastically changes everything.

A family lives in a cabin in the middle of a submerged forest in the mist and shrouded in perpetual twilight after an undefined global catastrophe. The father keeps his children locked in the basement into believing that a wild beast roams outside.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Stories of encounters and separations in a dividing frontier wall that impedes families, friends and lovers to touch and kiss each other. In some cases, the wall does not obstruct human contact, while in some other cases it presents itself as a metaphor of division in human relationships.

A woman is said to have embalmed her daughter, who died from a scorpion sting, and displayed her in a store like a mannequin. This short film revolves around a bridal shop mannequin that comes to life, and its story is inspired by a Chihuahua legend from the 1930s.