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The Anti-Concept

The Anti-Concept

1952 · 60 min

The film was shown for the first time on 11 February 1952 at the 'Avant-Garde 52' cinema club. It consisted of blank illumination projected onto a weather balloon, accompanied by a staccato spoken soundtrack. The film was banned by the French censors on 2 April 1952—when the Letterists visited the Cannes Film Festival the following month, they were forced to restrict the audience to journalists only. The text of the soundtrack was published in the sole issue of the Letterist journal Ion (1952; reprinted Jean-Paul Rocher, 1999), and later reissued in a separate edition augmented with associated texts (Editions Allia, 1994). Ion also included the text of Guy Debord's film Howls for Sade, which was dedicated to Wolman and featured his voice in its own soundtrack.

Directed by Gil J. Wolman · Written by Gil J. Wolman

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The Anti-Concept

Has the Film Already Started?

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Has the Film Already Started?Has the Film Already Started? · 1951
Has the Film Already Started?
★ 7.61951
MovieFantasy
“A pink moving screen will stand at the entrance to the theatre, in the night. One hour before the screening a projectionist will show Griffith’s Intolerance on this screen. The start of the film will be announced at 8.30 but no one will enter before 9.30. During these 60 minutes of waiting, people on the first floor of the building will shake out very dusty carpets, and someone else will throw ice water on the heads of those spectators waiting for the screening. Some actors who have infiltrated the crowd will insult other actors on the first floor. At this moment only, and to stop the beginning of a scandal, the doors of the theatre will open…”
Howlings in Favour of De SadeHowlings in Favour of De Sade · 1952
Howlings in Favour of De Sade
★ 6.91952
MovieDrama
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; instead, it shows bright white when there is speaking and black when there is not. Long silences separate speaking parts. The film ends with 24 minutes of black silence.

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