Mickey's Wildcats

Open up with Al Alt, dancing instructor, coming in on a train with a bunch of showgirls and the backer of the show, Maryland.

It's cattlemen versus sheepmen and Trigger Gargan appears to be the leader of the gang causing the trouble. But unknown to Ranger Tex Lawrence, the respected town citizen Barrow is the boss and is tipping off the gang as to the Ranger's activities.

A man is released from prison after serving time for a murder he didn't commit. He goes to live with his brother and his family on their Louisiana ranch, where they're raising horses to compete in an important race.

Broncho Billy, an outlaw, while being pursued by the sheriff of Bear County, crosses the line into Gulch County. Later he is captured by the Gulch County authorities, who wire to the neighboring sheriff's office to send a man to bring the prisoner back. A deputy sheriff is sent and that night they stop at a small hotel. Broncho and the deputy become quite friendly and Broncho induces him to remove his handcuffs. While Broncho Billy sleeps the deputy steals downstairs and enters a card game. He loses heavily. He returns to the room and tells Broncho of his loss. They then both turn in for the night. While the deputy sleeps, Broncho slips his gun from his pocket, goes downstairs and holds up the gamblers. Without waking his guardian, he places the loot on the table, then writes a note, telling the deputy that he has gone to the boundary and will be waiting for him there.

Bill travels to a new state after the outlaw Scarface saves him from a lynch mob. There he takes a job on the Barton ranch and joins in the fight against gang leader Larkin. Finding a wounded Scarface he helps him recover. Arrested by Larkin's stooge Sheriff, and with another lynch mob after him, he once again needs Scarface's help.

A U.S. marshal is sent to investigate a gang that is stealing horses from the cavalry.

Jim Steele spots Pete Dawson taking horses over the Mexico-Texas border, but Dawson has an alibi. A new group of recruits arrives at the Ranger station, among them Tex Wyatt, the son of Ranger Captain John Wyatt, whom he hasn't seen for many years. Captain Wyatt tells Tex that he is in the Rangers strictly on his own merit and there will be no favors played. He assigns Tex to pick up Dawson's trail, but orders that no arrest be made without proof.

When a journeyman boxer's gal is attacked by a rival boxer, his manager says he is not ready--so he comes up with a plan to get revenge on the bully.

When Steve Harper chases down some rustlers, he loses his gun in the ensuing fistfight. After Wilson is killed, Steve's gun is found nearby and he as arrested. Jimmy Wilson breaks him out of jail and he heads after the real killer.

Death stalked Garou's Landing, in the Canadian frozen north, but who was the killer who murdered two men and left them huddled in the snow. Sergeant Renfrew (James Newill, of the Royal Canadian Mounted Police, accompanied by his dog, Silver King (Silver King the Dog), and Kay Larkin (Terry Walker) the daughter of the man, Andrew Larkin (Robert Frazer) accused of the crime, sets out to solve the crime and bring the real killer to justice.

A cowboy comes to the aid of a lady rancher threatened by Mexican bandits who believe there is a treasure buried on her land.

Reporter Patsy Reynolds and photographer Eddie Porter are assigned to interview John Foster, head of the Emmerson Foundation regarding a listening device the organization is working on. Foster evades them and they to the lab to see Professor Reynolds, the real inventor. Soon, they are involved in several shootings, blueprints that change hands several times, a corpse in their car that appears and disappears a few times, the loss of their jobs and several people who either think they are killers or candidates for being killed.

A cowboy helps a pretty young woman and her father in their fight against land-grabbers who are trying to swindle them out of their cattle ranch.

Four-part documentary (each part of which was also available as a short subject) relating to films and other customs of the 1910s and 1920s.