The Hunger Years: In a Land of Plenty

Kolossale Liebe

Berlin 1808. A young, immature student who considers himself a poet, August Varnhagen, enters the famous salon of Rahel Levin, one of the first assimilated Jewish women of the Romantic period. He has heard of this woman who was praised by all for her wit and wisdom and he comes because he seeks connection and relations and in this salon the most famous men of the time crowded.

Bertolt Brecht - Love, Revolution and Other Dangerous Things

Brecht′s 100th birthday is being celebrated on 10 February, 1998. A good enough opportunity to examine his life closely again. The film director Jutta Brueckner is mainly concerned here with the question of the kind of person Brecht was. We have known him until now as the brilliant author and theatre director, through his plays themselves; we also know him as the cultural flagship of the GDR along with his world-famous Berliner Ensemble.

Ein Blick und die Liebe bricht aus

In seven scenes set in South America, the film deals with the various conflicts and (power) relationships between men and women. The individual episodes also deal with specific female role models: the bride, the wife, the rival, the abandoned, the fiancée, the abused and the determined. The scenes show a passionate, romantic longing for love, but also the harsh reactions when a promise of happiness is not so easily fulfilled. It is about heartbreak and longing, jealousy and hatred, exploitation and self-inflicted submission. Nevertheless, the basic tone remains hopeful. The stylized images are structured by off-screen commentary and tango rhythms.

Ein ganz und gar verwahrlostes Mädchen

It's a perfectly ordinary day in Rita's life: early in the morning her lover from last night left the apartment, and Rita doesn't dare to go back to work after she stole money in the telephone cabin the day before.

Coup de Grâce

A countess loves her brother's Prussian-officer friend in the 1919 Baltic area.

Do Right and Fear No One

A portrait of a woman’s life between 1915 and 1975. In Jutta Brückner’s documentary, her mother looks back at the 60 years of her life, talking about her father’s early accidental death, the constraints faced by a lower middle-class family of five, her training as a seamstress, marriage to a bookkeeper committed to social democratic ideals, the privations of war, and not least of all, her later realisation that fear may have caused her to miss opportunities … An ingenious collage of picture and sound accompanies the mother’s narrative, a tapestry of proverbs, pop songs, marching music, and the noise of war. Hundreds of photographs – most selected from August Sander’s (1876–1964) project “People of the 20th Century”, alongside newer photos by Abisag Tüllmann, among others – lend the individual vita of the director’s mother a kind of ontological validity. Images of labourers and office workers, excursions and marches, imbue what we hear with references that transcend the personal.

Hitlerkantate

Berlin during the Nazi reign: Young music student Ursula is a talented musician and a fervent admirer of the "Führer". When she is asked to assist renowned composer Broch, who was ordered to compose a cantata for Hitler′s 50th birthday, it first seems like a dream fulfilled. Over the time, Broch and Ursula fall in love, and her relationship with the former communist gradually changes Ursula′s perspective on the realities of Nazi Germany. But falling in love with a Nazi means a huge moral conflict for Broch.

In My Mother's Mirror

When successful archaeologist Ursula Scheuer makes a sensational discovery of a body during a bog excavation, her demented mother suddenly dies. Unexpectedly, a childhood trauma breaks out for Ursula. The appearance of her new assistant Mel is also puzzling: she seems to know Ursula’s past very well. Ursula is increasingly drawn into a mysterious web of fantasies and deceptions and must finally free herself from it.

Bräute des Nichts. Der weibliche Terror: Magda Goebbels und Ulrike Meinhof

"Brides of Nothingness: Female Terror." What connects Magda Goebbels with Ulrike Meinhof? - Both women represent a different side of modernity: continuity and fractures of a female mentality story in which the unconscious of history is sedimented. The fanaticism of both women was a publicly lived love story with politics.

Renaissance Man

An advertising man is slowly sliding downhill. When he is fired from his job in Detroit, he signs up for unemployment. One day they find him a job: teaching thinking skills to Army recruits. He arrives on base to find that there is no structure set up for the class.

How to Make an American Quilt

Soon-to-be-wed graduate student Finn Dodd develops cold feet when she suspects her fiancé is cheating on her. In order to clear her head, Finn visits her grandmother, Hy, and great aunt, Glady Joe Cleary, in Grasse, Calif. There, Finn learns that Hy and Glady Joe are members of a group of passionate quilters, and over the course of her visit she is regaled with tales of love and life by women who have collected rich experiences and much wisdom.

He Loves Me… He Loves Me Not

A talented art student named Angélique is passionately in love with Dr. Loïc Le Garrec, a handsome married man whom she believes will leave his wife. When he eventually decides to stay in his marriage, it causes Angélique to spiral. However, as the story shifts from Angélique's perspective to Loïc's, the surprising truth about their relationship is revealed.

Bangalore Days

A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!

Sherrybaby

After serving time in prison, former drug addict Sherry Swanson returns home to reclaim her young daughter from family members who have been raising the child. Sherry's family, especially her sister-in-law, doubt Sherry's ability to be a good mother, and Sherry finds her resolve to stay clean slowly weakening.

Sunshine Cleaning

A single mother and her slacker sister find an unexpected way to turn their lives around in this off-beat dramatic comedy. In order to raise the tuition to send her young son to private school the mom starts an unusual business – a biohazard removal/crime scene clean-up service.