Amore vuol dir gelosia

An industrial overpowered by debts decides to kill his creditor. Not having the courage to do it in person, he hired his former employee who needs money.

The USA pass an exceptional top secret contract with a country in the Middle East: they are selling arms in exchange for exclusive rights on the countries rich oil resources. The USSR sent a team of their best secret agents to rob the document, so that later they can apprehend the ship which must pass through one of the Russian ports... After special training in a secret island in the Black Sea, Alex, Sadov and Sonia are sent in to get the documents. All goes according to plan, and Sadov gives the handbag to the mastermind, General Fiodorenko. On opening it though, the handbag explodes. Who is the infiltrated agent in the most secret of the Soviets secret ring?

A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.

A lonely teenage boy, living isolated on an island, idolizes his distant father. Complications arise when his father brings home a young new wife, whom the boy falls for, and a recently released criminal, entangled in a web of complex relationships.

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

Four different directors present lighthearted stories about married Italian couples and their dilemmas with jealousy, sex and love. Segment 1: Scandaloso / The Scandal (Franco Rossi) Segment 2: Peccato nel poeriggio / Sin in the Afternoon (Elio Petri) Segment 3: La sospirosa / The Victim (Luciano Salce) Segment 4: Gente moderna / Modern People (Mario Monicelli)

An old pornographic photo and anonymous letters are sent to two men and a woman, who now enjoy a respectable social status, accusing them and questioning things they have done in their lives. Unique and amazing Morricone score

Viviana and Giovanni Renzelli are a married couple living in Turin. He works as a switchboard operator for a large plumbing supplies company. Suddenly, the couple’s life changes when Giovanni hits the jackpot on the Totocalcio, winning 850 million lire.

An alien race sends cyborgs — made to look like the son of a famous scientist, whom they killed when he landed on their planet — to Earth to help pave the way for an invasion.

This is an Italian sex comedy that, like the earlier sex comedy "Il Gatto Mammone", combines the comic stylings of Lando Buzzanca ("The Eroticist", "Il Domestico") with gorgeous, oft-nude body of Gloria Guida (Miss Teen Italy of 1974). Actually, Guida gets to demonstrate a few comic styling of her own as a bohemian theater "actress" who lives in cramped apartment with a whole bunch of other clothing-averse bohemian types. She is very devoted to her older beau Buzzanca, but his life is very complicated due to his own devotion to his very big and very old dog, the ironically named "Piccolo" (basically "Tiny"), and his even older grandmother. In order to take care of these two dependents, he forsakes his loyal girlfriend for a rich female pharmacist (Andrea Ferriola) and moves in with her and her haughty bourgeois mother and aunts--with disastrous results for all involved.

The phenomenon of male prostitution in Rome in the late 1960s.