Zomvideo

8mm film by Yukiyasu Shimada. Performed by Shimada and Ichigo-chan. Shooting assistance by Kenji Onishi.

The movie's title is a play on the popular Always - Sunset on Third Street films and also deals with circumstances 1950's Tokyo, but focuses on the homosexual district of Shinjuku ni-chome.

A new season of the acclaimed series finishes with these twenty sensational shorts capturing the essence of psychological terror with chilling visuals.

The Great Horror Family is a 2004 Japanese horror comedy television series directed by Kenji Murakami, Takashi Shimizu, Keisuke Toyoshima and Yūdai Yamaguchi, which aired on TV Tokyo affiliated stations.

This is the first volume to include the final series of the popular ghost story TV series “Ghost Story Shin Mimibukuro,” based on the true-life ghost story book “Shin Mimibukuro. It contains all 10 episodes.

The second volume of the popular ghost story TV series “Ghost Story Shin Mimibukuro,” based on the real-life ghost story book “Shin Mimibukuro,” includes the final series. It features notable actresses such as Mari Hoshino of “Sayonara Midori Chan” fame. It includes all 10 episodes.

Based on the best-selling collection of true ghost stories "Shin Mimibukuro," and produced by masters and rising directors of the horror genre, including Norio Tsuruta of "Ring 0," Takashi Shimizu of "Ju-on," and Yô Takahashi, the screenwriter of "Ring," the latest and fourth series of the popular "Japanese Horror" series "Kaidan Shin Mimibukuro" is here. The directors include the TBS drama genius Akio Yoshida of "Kamaitachi no Yoru," the highly acclaimed newcomer Keisuke Toyoshima of "Kaidan Shin Mimibukuro Gekijouban" and "Kaiki Daikazoku," Kenji Murakami of the "Jurei" series, Masaya Kakei, whose "Bijokan" was highly praised at international film festivals, and the active film director Hirono Yamada. The main cast features Mei Kurokawa from "Mondai no Nai Watashitachi" and the popular BS-i drama "Keitai Keiji." Other notable cast members include Nana Eikura and Masahiro Toda of "Cure."

Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2009, in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”

A documentary that centers on filmmaker Mikio Yamazaki, exploring his artistic vision and his feelings towards 8mm film, the primary medium of his work.

The cow woman is believed to be the sign of a huge catastrophe that is about to occur. It is said that she dies when the catastrophe is over. In some regions, the cow woman is worshiped as a prophet who warns of future misfortune. Asuka, who has joined a training camp, decides to head off to the site of an unsolved murder together with her four classmates. It is there that they find an isolated house where they manage to be let in by making up an excuse. However, once inside.

Aimi and her father move into an old, apartment building and learn quickly that things are not normal here. The landlord warns Aimi and her father of the curfew. First, all residents must cross the rope in front of the property by midnight. Second, no one can move out until a new tenant arrives. Those brave enough to break the rules are unmercifully killed by a mysterious force.

Kenji Murakami seeks out legendary wildman director Kenji Onishi and arranges a meeting with director Yoko Oguchi. The meeting turns unexpectedly intense...

In the summer of 1998, the filmmaker went home to Takasaki to film the birth of his brother and sister-in-law's child. Days go by and the child is still to be born. With time on his hands and no one to talk to, the filmmaker finds the phone number for a telephone date club, and calls up with an earnest de- sire: I'd like to talk to a girl. While following the conventions of film-diary form, at some point the filmmaker falls into a times pace tunnel of false memory.