Maestra Ayahuasca

The main characters of the film are two small boys who share the throne of Karmapa, the highest office of one of Tibetan Buddhism's main sects and the third in line after the Dalai Lama and Panchen Lama. As with the Dalai Lama, Karmapa is the same soul which reincarnates in each successor to the office, who is identified by omens, portents and other signs. The Karmapa line actually pre-dates the Dalai Lama's, and their respective importance has alternated in the course of history with either the Karmapa or Dalai Lama holding precedence. Only one of the current Karmapas lives in Tibet, who is recognized by the Dalai Lama but controlled by the Chinese government for political ends. The second Karmapa lives in New Delhi, India and was selected by a Tibetan group in exile. The film was shot in India, Nepal and Tibet and features the Dalai Lama as narrator, providing an incisive spiritual and political view of occupied Tibet.

This documentary explores the traditions and contemporary rituals of tantra, a mysterious and provocative practice with roots in Hinduism and Buddhism.

This feature-length documentary embarks on an adventurous journey to questions about death and the fear associated with it. Through Jaroslav Dušek's acting guide, he explores how we can use and control people's behavior through fear of death. The film looks at various cultural approaches to the topic of death, including those that do not perceive death as a scarecrow. Modern science, like traditional wisdom, offers alternative perspectives on death that can change our understanding of life. Through the personal stories of people who have overcome their fear of death, the film shows us that our approach to death can affect the quality of our lives.

A documentary that depicts the dalai lama between 1991 and 2022 as he conveys inspirational message about secular ethics, non-religious spirituality, inner peace development, loving kindness and the need of change to the education system with emphasis on inner values, mind and emotions.

The film captures the work of the Tomáš couple from the second half of the 1990s until the end. It conveys the unique and unrepeatable atmosphere of regular meetings in the packed large hall of Prague's Lucerna, where people from all over the country gathered to listen in quiet and concentrated contemplation to words that brought inner peace and liberating knowledge. People sat on the floor, the balconies were filled to capacity, and visitors didn't mind that they couldn't see the stage; it was enough just to listen...