Martín Fierro

A man pretends to be dead and his dying wish causes his wife to marry a drifter and lose her inheritance.

The story of the wars of independence in Northern Argentina during the 19th Century.

The relationship between a suffered gauchito and a foal.

The film narrates the encounter between "La Tigra", a woman known by that nickname in the cafes of the port area for her character and her sharp claws, and Luis, a student of Fine Arts. There will be born a strong, passionate and necessarily brief relationship during which each of them will peek into the world of the other, until then unknown, unable to overcome the hostility of the same. Luis is unwilling or unable to leave his bourgeois stability and "La Tigra" is unable to leave an environment in which the malevo Olivera is the dominant figure.

After learning that his widowed father will remarry, a boy escapes home.

Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams... and her family.

During the yellow fever epidemic of 1870, a fugitive enters the mansion where three women had locked themselves in.

A gaucho flees from justice for murdering a man with whom his girlfriend was betraying him. He settles in a place where he falls in love with a woman, also desired by the local commissioner.

Eugenia's parents die. She goes to live with Amalita, her close friend. Her grandmother Amalia Pradere a wealth landlady, takes the orphan under her protection. After a chain of events, disappearing her grandchild, Eugenia will take Amalita's place. She will inherit not only Amalia's possessions but also Ezequiel's love, Amalita's widower.

A young woman criticized by her family for her dissipated life embarks on a new path.

This is the story of a suburb in Buenos Aires, its neighborhood, and how they live together in poverty, conjoined by the games of the children, and the love and support of the grown ups.

This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.

A singer takes possession of a ranch and receives the mission to avenge his ancestor Santos Vega, that legendary payador, and defeat Juan Sin Ropa.

A university student comes to stay with a bedridden woman and her four children. Helping out around the house, she soon grows fond of the mother and children. An attorney falls for the student, but the couple experiences problems when she declines to leave what he refers to as "that lunatic asylum."

The business of the Donato family, an Italian-Argentine criminal organization, is a success. They have bought judges, lawyers and even politicians, but after a kidnapping goes wrong, a civil war starts in the Donato crime family. Based on a real event of the Galiffi crime family, a real Italian pro-Fascism mafia that conquered in the 1920's and 1930's the city of Rosario, the Chicago of Latin America.

Cora is a Mexican prostitute with typically inconsiderate johns. She is troubled by a hole in the ceiling. The hole triggers flashbacks regarding how she got to where she is; she hooked up with a gringo and got involved in digging a well. A horse thief given up for dead gives them a hand.