Footlight Fever

A newspaper reporter gets involved with shady stock promoters when he eavesdrops on a jury room session.

Hollywood stuntman falls in love with a big name actress but still wants to pursue his risky career. The women gives him a choice-the stunts or her. He chooses the stunts and still manages to get her.

A documentary featuring musicians including Artur Rubinstein, Jan Peerce-Nadine Conner, and Jascha Heifetz.

Teenager Susan Turner, with a severe crush on playboy artist Richard Nugent, sneaks into his apartment to model for him and is found there by her sister Judge Margaret Turner. Threatened with jail, Nugent agrees to date Susan until the crush abates.

Jim is hardly thrilled when his new bride, Ellen, invites an old friend, Randy, over for dinner. Yet Jim turns genuinely dismayed once Randy arrives and turns out to be an insufferable, boorish braggart with bad manners and little self-awareness. That dismay turns to outright annoyance when Jim realizes Randy thinks he has come to stay for the weekend. How much damage to a marriage can one unwanted guest do in the space of one weekend?

Roland Dane finally retires to the house he was brought up in. Lost in thoughts of his lost love Lark, he does not want to be disturbed in his last days. However, the appearance of his niece and her subsequent romance with Lark's nephew causes him to reevaluate his life and offer some advice so the young couple doesn't make the same mistake he did, all those years ago.

Joris Ivens’s advocacy documentary for the Republican cause intercuts a besieged Madrid with a nearby village digging an irrigation canal, linking the war to bread, land, and survival. Produced by the writers’ collective Contemporary Historians, edited by Helen van Dongen, scored by Marc Blitzstein, and narrated in its U.S. version by Ernest Hemingway (after an initial Orson Welles track), it blends frontline reportage with persuasion against Franco’s forces and their German–Italian backers.

During WWII, industrialist Joe Keller commits a crime and frames his business partner Herbert Deever. Years later, his sin comes back to haunt him when his son plans to marry Deever's daughter.

In the second film of the series (and not a second part of anything), Gay Lawrence, aka The Falcon, is about to depart the city to marry his fiancée, Helen Reed, when a mystery girl, Rita Mara, asks for his aid in disposing of a secret formula for making synthetic diamonds. He deliberately allows himself to be kidnapped by the gang for which Rita works. His aide, "Goldy" Locke, trails the kidnappers and brings the police. But the head of the gang escapes, and the Falcon continues the pursuit.

Having forsaken the detective business for the safer confines of personal insurance, Gay Laurence is compelled to return to his sleuthing ways. Along with sidekick Jonathan "Goldie" Locke, he agrees to look into a series of home party robberies that have victimized socialite Maxine Wood. The duo gets more than they bargained for when a murder is committed at Wood's home, but Lawrence still finds time to romance the damsel.

While an escaped convict, Moose Malloy, goes in search of his ex-girlfriend Velma, police inspector Michael O'Hara attempts to track him assuming him to be a prime suspect for a number of mishaps.

Childhood pals, a gambler and a policeman, fall for the same woman in 1910 New York City.

A bank runner is accused of killing a woman for whom he deposited a large amount. Reporter and bank official investigate.

It's the Hatfields vs. the McCoys in this 1949 film, with Farley Granger and Joan Evans as the hillbilly Romeo and Juliet whose forbidden romance rekindles a long-standing feud between their respective families.

Emery Slade was one of the brightest stars in Hollywood in 1932, but by 1949 his career has hit the skids. Fortunately, he is able to convince studio head Melville Crossman to cast him in the adaptation of a hit Broadway show. Crossman has one condition: Slade must travel to New York and convince the female star of the stage production to join the film. Slade goes, but, when he eyes the winsome Julie Clarke, he hatches a different scheme.

A convict who has just escaped from Alcatraz Prison takes over a passenger ship. Two of the ship's crew hatch a plot to overpower him and rescue the ship's passengers.