Mister John

The lives of a Dublin family embroiled in a gangland war and the consequences of their choices.

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

Based on actual events that took place on 26 April 1974, former debutante turned IRA member Rose Dugdale and three comrades carried out an armed raid on Russborough House, Wicklow, in which nineteen masterpieces were stolen in an effort to support the IRA’s armed struggle. The film plays out over the course of the days following the raid, when Rose is in hiding in a remote cottage.

A story of a young woman searching for her biological mother. Set against a backdrop of misogyny, revenge, and longing, Rose undertakes a journey that leads her to revelations that are both devastating and dangerous.

In their debut documentary Christine Molloy and Joe Lawlor take as their point of departure the compelling 18th Century figure, Ambrose O'Higgins, and attempt to retrace his remarkable journey from Ireland to Chile.

An 18 year old girl called Joy has gone missing. Another girl called Helen is a few weeks away from leaving her care home. Helen is asked to 'play' Joy in a police reconstruction that will retrace Joy's last known movements. Joy had everything. A loving family, a boyfriend, a bright future. Helen, parent-less, has lived in institutions all her life and has never been close to anyone. Gradually Helen begins to immerse herself into the role, visiting the people and places that Joy knew; quietly and carefully insinuating her way into the lost girl's life. But is Helen trying to find out what happened to Joy that day, or is she searching for her own identity?

The perfect English arcadia gives way to varying kinds of misfortune, disruption and violence. With more than a passing reference to the 'narrative' paintings by masters such as Bruegel, this single-take 9-minute short is about a lazy Sunday afternoon that goes horribly wrong.