Planet Terror

Deadline is a television series which was shown on NBC in the 2000–2001 season. It starred Oliver Platt as Wallace Benton, who worked for the fictional New York Ledger. This was a daily newspaper which was seen in many episodes of Law & Order.

When Dana White took over the UFC in 2001, one of the new UFC President's first tasks was to scour the MMA backwaters searching for undiscovered talent to sign to the UFC. White hasn't scouted talent in person for over a decade - but with childhood friend Nick "The Tooth" and the irrepressible Matt Serra in tow - Dana hits the road once again in search of potential UFC superstars.

After the fall of the Galactic Empire, lawlessness has spread throughout the galaxy. A lone gunfighter makes his way through the outer reaches, earning his keep as a bounty hunter.

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

A former assassin, known simply as The Bride, wakes from a coma four years after her jealous ex-lover Bill attempts to murder her on her wedding day. Fueled by an insatiable desire for revenge, she vows to get even with every person who contributed to the loss of her unborn child, her entire wedding party, and four years of her life. After devising a hit list, The Bride sets off on her quest, enduring unspeakable injury and unscrupulous enemies.

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.

TV series based on the feature film about a traveling mariachi who is mistaken for a murderous criminal.

The Bride unwaveringly continues on her roaring rampage of revenge against the band of assassins who had tried to kill her and her unborn child. She visits each of her former associates one-by-one, checking off the victims on her Death List Five until there's nothing left to do … but kill Bill.

Legendary bounty hunter Boba Fett and mercenary Fennec Shand must navigate the galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate.

George raises daughter Carmen and dyslexic son Max with his wife Angie, after surviving a miserable, dysfunctional childhood at the hands of his neglectful alcoholic mother Benny.

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.

When Alita awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido, a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past.

Lucha Underground introduces U.S. audiences to the high-flying, explosive moves of lucha libre. An ancient combat tradition, watch as good and evil wage war in a gritty battleground called “The Temple.”

After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious clientele.

Robert Rodriguez sits down with the industry's most iconic directors and engages in a revealing and unexpected exchange about the world of filmmaking.