The Good Love

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.

Matilde is a former prostitute who gets married to an american soldier with an uncertain future, due to the possibility of being recruited to the Vietnam War.

After seeing that Nelson kisses his lover, Barlow poisons him. But it turns out that Nelson comes back to life when he was about to be buried. From that moment, Barlow does not stop chasing him to finish his work.

After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...

A man (José Luis López Vázquez) walks into a bar and shoots four people dead. Next day everybody is talking about the murders. The police know who the killer is and have his photo, but the man himself remains at large. Blanca (Serena Vergano), a lonely librarian, receives a letter from him, declaring his love for her. Apparently he has been a regular at the municipal library, although Blanca denies ever having noticed him.

A dark and surrealistic comedy about a man who gives drugs to his wife, to make her sleep and avoid arguing with her.

An immigrant family in the suburbs of Madrid receives a visit from their eldest sister, who has chosen convent life as her escape.

A divorced woman is abandoned by her betrothed on the eve of her second marriage, and resigns herself to a humdrum life with her first husband.

Through a history of morbid passions and destructive family relationships, Regueiro shows his talent but also an annoying tendency to spread ...

Madrid, Spain. On Monday, December 22, 1947, Charles Vidor's Gilda, starring Rita Hayworth and Glenn Ford, premieres. That same week, as every first Friday of the month, Hauma organizes a peculiar card game in an old tavern.

The story of a Spanish Cardinal who is told he only has one more year to live. He decides to return to his hometown, after an absence of 30 years, to sort out his affairs.

A morbid curiosity leads Andrea and her friends to spy on a couple of young people during their amorous outings. Javi, the boyfriend, feels bothered because that situation, but ignores that Andrea is attracted to him.

A man with an umbrella emerges from his grave to be momentarily reunited with his lost loved one.