Katchem Kate

Billy Bevan and Andy Clyde play hobos who hop onto a train where they are hired. Their misadventures lead to chaos, blending mistaken identity with classic physical comedy.

Ben Turpin's rival marries his college sweetheart played by Phyllis Haver.

A series of strange, inexplicable, and increasingly frightening events takes place in Mosby Manor.

Little orphan Harry is separated from his childhood sweetheart. Years later, he finds she's a bearded lady in a circus.

A compilation featuring comedic stars of the silent era including Will Rogers, Laurel and Hardy, and the Keystone Cops.

Bill and Oscar are musicians but they can't make enough to pay their room-and-board, and they are both in love with the landlady's daughter. However, she is in love with Horace, a wrestler, and Bill gets a world's championship match with him in hopes of securing the needed-boardinghouse bill, and the hand of the daughter of the house.

In 1915-16, San Diego's Balboa Park was the scene of an exposition to mark completion of the Panama Canal. This film takes us through the exposition: from the Cabrillo bridge and a panoramic view of the site, to the facades of the California Building, Horticultural Building, Panama Canal Exhibit, and the reproduction of the locks at Gatuna. We see tourists on the isthmus and a crowd outside the Panama Film Company's exhibit of how movies are made. We watch the feeding of fish at the laguna, and we end at the Plaza de Panama where toddlers are surrounded by pigeons. Fatty Arbuckle makes a brief appearance outside the Panama Film exhibit. Titles give us each structure's cost.

In Highland Park, it's Agnes Fisher and Harold Hope's wedding day. Mishaps almost keep them from getting hitched: he goes to the wrong church, then, one of the guests, Professor McGlumm, convinces him that the bride only wants him to collect his life insurance. Finally they marry and her family moves in with them. Harold is now convinced that he'll be poisoned at dinner. When further mishaps give him stomach problems, McGlumm rushes him toward the hospital. On the trip, all is revealed.

All the qualified men line up to be chosen, as an heiress advertises that she will marry the man with the most interesting mustache, that marriage which comes with a mansion. John Syrup Soother wins the marriage to who he believes is the heiress, Olive Palmer, a tank of a woman who has lost her beauty with age. But he learns that he his betrothed is not the heiress, Diana Palmer, but her mother. Howson Lotts, a shyster and one of Diana's other suitors, sells John a beach-front house for his new life, that house which is not all that it seems on the surface. In the meantime, others still will do anything to be Diana's betrothed, that choice in which John now has a different but still vested interest.

A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.

While somewhat happily married, Walter Moore's eyes do stray from time to time, especially when Tessie McNab is within his eye-sight range. But while trying to just be helpful to a damsel-in-distress, Walter's jealous wife suspects there may be some hanky-panky involved.

This early Keystone has Pete spying on his neighbor's wife through one of those little knotholes in a fence. The neighbor (Sterling) notices and chases him all over town with sheriff and family close behind. Fatty Arbuckle plays the peeper's wife(!).

Harry and his friend have planned to go out for an afternoon of fun. But first, Harry must figure out how to slip away from his domineering wife with some money to spend...

A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.

Charlie plays an actor who bungles several scenes and is kicked out. He returns convincingly dressed as a lady and charms the director, but Charlie never makes it into the film.

Hello, Mabel (also known as On a Busy Wire) is a 1914 American short silent comedy film directed by Mack Sennett.