P.O.E. : Project of Evil

Poetry of Eerie features 13 Poe-inspired short segments directed by a cadre of international filmmakers, filmed under tight constraints, offering abstract, atmospheric takes on the macabre.

Pieces of Eldritch continues the anthology tradition with six Poe stories - like Morella, The Cask of Amontillado, and King Pest - presented through varied aesthetic lenses.

The Black Cat intensifies the series’ horror bent: this chapter zeroes in on the violent, disturbing aspects of Poe’s “The Black Cat,” interpreted by three directors with a more graphic, visceral approach than prior entries.

Love Among the Ruins is a spoof about the miraculous discovery and restoration of a long lost Italian silent film. The film connects a contemporary filmmaker with the genius of the Lumini brothers, two cinematic icons who have been almost overlooked in the history of cinema.

An african little girl keeper of ancestral Voodoo secrets in the center of Turin. An albanian gang dedicated to morbid extreme practices in the popular district of Rome. Monsters from ancient Japan in modern Japan. The secret of the spicy kebab an egyptian small shop hidden in the alleys of Genoa and more strange things...

Sandra's twin sister was brutally murdered by a serial killer when they were children. Fifteen years later Sandra is now a professional journalist whose career is on the fritz. Sandra is given one last shot - an assignment which will prove the toughest of her life. She is sent back to the location of her sister's murder to shoot a behind-the-scenes expose for a hardcore porn flick. There she will be forced to confront the ghosts of her past as a new copycat killer has his sights set on Sandra.

Pieces of Eldritch continues the anthology tradition with six Poe stories - like Morella, The Cask of Amontillado, and King Pest - presented through varied aesthetic lenses.

17 creepy stories before midnight.

Poetry of Eerie features 13 Poe-inspired short segments directed by a cadre of international filmmakers, filmed under tight constraints, offering abstract, atmospheric takes on the macabre.

Giancarlo Giannini in his now usual role as the Prince of Soragna, a small town in the lower Po Valley, the starting and ending point of all the adventures in the series, is absorbed by the daily shaving ritual with his family barber, in this case played by the real Prince of Soragna, Diofebo Meli Lupi. A dear friend, the Italian tenor Vittorio Grigólo, arrives breathlessly and asks the Prince, who is half Neapolitan, for advice on the best rendering of the famous song "O Paese d'o Sole" with in the background the version by Roberto Murolo, the unmistakable voice and sophisticated performer of the tradition. The difficulty is obviously not technical for the great tenor but lies in looking for that expressivity and passion in interpretation that has made this musical form, deriving from great Italian melodrama, one of the best loved in the world.