Symphony of Living

A small Egyptian police band travels to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves stuck in the wrong town.

When a Jewish songstress is plucked from the stage and sent to Auschwitz, she and other musicians find themselves assigned to a terrible task—using their talents to soothe fellow prisoners who are sentenced to die in the gas chambers.

A former world-famous conductor of the Bolshoï orchestra, known as "The Maëstro", Andreï Filipov had seen his career publicly broken by Leonid Brezhnev for hiring Jewish musicians and now works cleaning the concert hall where he once directed. One day, he intercepts an official invitation from the prestigious Théâtre du Châtelet. Through a series of mad antics, he reunites his old orchestra, now composed of old alcoholic musicians, and flies to perform in Paris and complete the Tchaikovsky concerto interrupted 30 years earlier. For the concerto, he engages a young violin soloist with whom he has an unexpected connection.

Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest.

Following the death of his wife, a renowned musician ostracises himself from the outer world and dedicates his life to music. However, his life changes when a young man approaches him to learn music.

A young orchestra violinist’s fear of mediocrity and drive for artistic success strain his marriage to a fellow musician. Told largely in flashback and shaped by Beethoven’s Ninth Symphony, the film examines ambition, love, and loss in early Ingmar Bergman.

The next piece begins! Kumiko is now in her second year at Kitauji High School, and with a new year comes new problems. As if making it to Nationals wasn't hard enough, Kumiko is tasked with mentoring the concert band's troublesome first years – each with their own distinct personality and problems to solve. With Kumiko busy juggling both the concert band and her new role as senpai, how does her relationship with Shuuichi fit into the picture?