48

After having walked the streets of Mellila, Malik, Mehdi, and Hassan now beat the cobblestones of Paris, discovering its lights and its chimeras, its joys and its violence...

End of the 20th century. A group of scientists executes a project aiming to prevent a nuclear war with the planet Khalom. From their experimental project, involving manipulating events in the past, two mysterious human creatures travel between the present and the 19th century, and back - getting in love with four different persons.

Two Portuguese nurses share their harrowing story. Sisters Isaura Borges Coelho and Hortênsia Campos Lima were arrested in the early 1950s for protesting a law that barred nurses from marrying. Salazar wanted nurses to live like nuns, in line with Catholic conservative ideals.

Within one image, another one is always hiding. Wordless and using only archive footage, "Still Life" aims to rediscover and delve into the opacity of images (news, war footage, propaganda documentaries, photos of political prisoners and never seen before rushes) made during the 48 years (1926-1974) of Portuguese dictatorship in order to foster new interpretations.

Mingling identity photos taken by the Portuguese political police during the Salazar dictatorship and testimonies from the children of an assassinated communist activist, Luz Obscura invents a form that recreates as faithfully as possible the feeling of a family's broken identity.

Just after the Second World War, 5,000 young children were sent from Austria to stay with host families in Portugal, where they could recover from the violence of war. They were often welcomed in by well-to-do families with domestic staff living in sunny villas, and for most of the children this was a holiday in paradise. The contrast with their living conditions at home, and the huge difference between the lives of rich and poor in Portugal in this period, made a deep impression on the young Austrians.

In 1928, industrialist Henry Ford built a company town in the Brazilian jungle and established a rubber plantation. Within a few years his industrial utopia collapsed, coming to an end in 1945. Fordlândia was largely abandoned and became known as a ghost town.

Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928. His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less than a decade. Nowadays, Fordlandia is a space suspended between times, between the 20th and 21st centuries, between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass, and masonry still remain in use while traces of indigenous life left no marks on the ground.

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

In an isolated village of the Alentejo region, a conflict arises. José Vitorino, one of the landowners of the region, rich in prehistoric monuments, wants to build a luxurious solarium in lands filled with ancient rocks, places of devotion and sacred rituals. Indifferent to the people’s protest, who believe in the magical powers of the stones and that the region’s drought is due to the rocks’ destruction, José Vitorino hires an architect to plan his new house. On christmas eve, in the middle of the winter solstice, a strange ceremony around a dolmen, once an altar for bloody sacrifices in more remote times, releases a harmful spell. A race against time to reverse the faulty charm begins.