Garpastum

Young female fighter pilots arrive to the frontline. They have different stories and different fates. They are getting older, falling in love and lose their closest ones as well as take their place in the world of men. The air has become their home. However, at war no one knows whose fate is to live and who is doomed to die.

This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.

David, a university professor, takes to social media to criticize his city’s administration. But instead of the mayor’s dodgy dealings being investigated, David is himself accused of embezzlement and placed under house arrest. Despite the overbearing surveillance, double-crossing acquaintances, and growing media interest, David remains defiant and will not apologise. With the court case drawing ever nearer, does David have any hope of winning this battle against Goliath?

Russia 2017. The world could be on the verge of a great war. People are anxious that things could fall apart. Evolving around an unfinished building, a diverse group of outsiders struggle to find their place in this rapidly changing society, making up the mosaic of existence that is life itself…

Dovlatov charts six days in the life of a brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky, while watching his artist friends got crushed by the iron-willed state machinery.

In 1961, a Soviet medical officer is conflicted about his position overseeing the health of future cosmonauts.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

A fat middle-aged man in German officer's uniform gets off a train somewhere in Russia in winter. He is a doctor who has just been called up we learn eventually. This is the end of the line- the Germans are about to retreat. He goes to a hospital which is being evacuated and is thrown out. Kicked out he wanders with another conscript- a failed actor turned postman. The postman is deafened by a shell explosion. They meet their Russian equivalents, others as bad at killing as they are, while other Russians and Germans kill one another around them.

A young, unknown artist, Ivan, goes from Moscow to St. Petersburg to audition for a new big film directed by Alexei German Jr. But suddenly, one by one, famous actors board the train, and it turns out that they are going there. This path turns into a test for Ivan and the understanding that he has no chance. Will he be able to outwit them and become the only contender?

An elderly literature teacher lives a solitary life in his apartment. He reads books, listens to the news about culture. Every day he calls a friend in a distant city and remembers his youth. He is not particularly interested in the modern world — until one day that modern world breaks into his house, completely overturning his life.

A story about the creative biography of Alexei German Sr. through the prism of his latest film - It's Hard to Be a God. Many shots from the shooting are published for the first time. Herman did not belong to any school or direction of cinema. Working on his films, he turned to the images of Brueghel and Bosch. Herman's hyperreality is saturated with details so that the viewer is cramped there. His method required such painstaking work that he made only five films in his life - and the last one did not finish. What was this method?

An ambulance driver in a small Russian town becomes inspired to make some life changes after he unexpectedly becomes the temporary guardian of a 7-year- old girl.

At the turn of 80-90, film director Alexei Yurievich German created a film workshop for the first film, which became famous for the paintings of young debutant directors, who later became famous masters. The film tells about how the Master selected talented directors, helped them take the first step and find themselves in the cinema. The TV version of the film.

A documentary grotesque in which even the walls speak. Famous directors of St. Petersburg cinema recall their lives and work, and images of old films come to life to remind the viewer of themselves.