Le Château de Pointilly

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E-flat may be the key of true friendship, but it is Mozart that pushes them apart...

Barbara, a young girl, lives in an old country house with her father and her teacher. One night, she dreams that a fireman enters her room through the window. Having grown, Barbara leaves her father to travel across the world, before coming back to her childhood fantasies: one day, she calls the firemen, and locks herself with one of them in her bedroom.

A couple abducts an "angel" for their entertainment, who will escape with the help of an old man.

A young boy plays with a top instead of doing his homework and daydreams about his brother and his brother's girlfriend.

A diverse group of artists and bohemians gathers at a party to celebrate and wait for a guest of honor named Pedro. As they drink, talk, and wander through the rooms, the much-anticipated Pedro never arrives, turning the event into a surreal, endless vigil. The guests are left to navigate their own desires and existential boredom while hearing the rhythmic "tam-tam" of drums that suggests a coming catastrophe.

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.

On an island in the middle of the ocean, inhabited by men and women-frogs, Nora, a beautiful Russian spy, wants revenge for the betrayal of her lover, the artist Tibor.

Tribute to Luis Buñuel's passion for drinking cocktails.

In a garden at the party of the God Bacchus, Narciso's presence is the highlight of the party. Both gods and mortals seek his favors without getting anywhere.

The ex-wife of a famous sculptor convinces her lover to remove one of his sculptures from an exhibition and replace it with a live model.

In the kingdom of Letonia, the young prince Égon spends his nights playing the drums. During the day, he only has one thing on his mind: finding Sleeping Beauty in the kingdom of Kentz and breaking the spell over her. But his father, the king, doesn’t believe in fairy tales, and is completely opposed to Égon’s dream. It’s Maggie Jerkins, an archeologist from Unesco, who will provide Egon with the opportunity to follow his heart.

Toñi a trans woman asks a miraculous saint in a church to have a boyfriend, and that is how Lahcen appears in their life, a young Moroccan immigrant who has just arrived in Spain, with whom they will fall in love.

An oracle in the Paris of May ’68 and the back of a stranger in a Madrid nightclub in the early 1990s. Interwoven stories bound by a gentle attraction, as though desire permeated everything and the only law was that of necessity.

A moral adventure: one sees friendships being born and being discarded, under the pressure of avowed authorities such as the family and the prejudices it states, or unavowed as the economy that no individual alone expresses.

A documentary about Arrieta's friend, the Parisian photographer François-Marie Banier.