It Can't Be Winter, We Haven't Had Summer Yet

Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.

Man of the people, taxi driver, Jean Carignan is above all else one of the world's greatest violinists. In his hands reels become complex, intelligent creations, played with a virtuosity worthy of Paganni, and which continue the traditions of a genre passed on orally. A genre which has retained its popularity, and whose giants include Skinner, Coleman, Allard. Jean Carignan tackles their repertoire, as well as reaping the harvest of his exploration of Irish and Scottish musical traditions, which has made of him an internationally renowned specialist in Celtic music. This film is also a love story between an impoverished child and his violin, and provide a unique window into a remarkable era.

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

A drama of manners, spiced by light moments, describing the "love stories" of a mother and her daughter. The two women spend a summer together. Madeline, the mother, a professional, independent woman, begins a romantic relationship with an engineer after ending a previous relation. For her part, Renée, her 20-year old daughter, tries to see her father again and dreams of stable love.