Tenta Louvar o Mundo Mutilado

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

In the 1950s, in Rio de Janeiro, Lota Macedo Soares married the American poet Elizabeth Bishop. A few years later, Carlos Lacerda, a friend of Lota's, became governor of Guanabara and invited her to create a park where a 7-kilometer landfill had been built. Flamengo Park would become the second largest urban park in the world.

After the sudden death of his wife, Ezequiel lives sad and resigned in solitude. Until the day that an extra-terrestrial being appears in his life and changes the color of his destiny.

In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.

Gatto and Barbot are lifelong companions for more then 40 years and have just moved to a big decayed and abandoned building downtown Rio de Janeiro, where they start to live and promote their dance company rehearsals. The difficulties of everyday life are merged to artistic creation and to their belief in the Orishas gods. Through dance they spread through the city, occupying their territories.

No man is a failure when he has friends.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the Club’s leader, her and her husband’s lives are in grave danger.

After receiving a strange picture postcard, Marina knows there’s nothing else to it but to return to Rio de Janeiro, the beautiful city that here seems threatening and almost enchanting.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.

João, mounted on his horse Cruzeiro, and in the company of a wanderer named Tahiel, enters a large city in northeastern Brazil to face the one who took his lands and ended up with his family.

The journeys of a filmmaker-traveler through Brazilian social and cultural landscapes swept up in the hurricane of authoritarian modernization imposed by the military dictatorship: Indigenous peoples, "cavalhadas", and migrants. Through Jorge Bodanzky’s lens, we witness the many faces of the storm battering the ways of life and practices of traditional populations.

The mayor of the city of Rio de Janeiro wants to go down in history. For this purpose, he decides to separate Rio from Brazil and create a new country.

Jorge Bodanzky is, to a large extent, a filmmaker who travels. Constant movement is a hallmark of his creative process, encompassing both personal records and various projects that form the foundation of "Meu Barco É Veleiro". It involves observations and experiences across different continents—a sort of improvised coming-of-age story in which human landscapes reveal the shaping of a unique perspective.

A character, an actress and the passing of hours in a Holocaust interrogation. The film moves through the echoes of reality: representation, testimony, memory, fiction and investigates the limits between actress and character.