Beating a Dead Horse

This short film takes full advantage of Night of the Living Dead's public domain status by splicing new characters into old footage.

Everyone's favorite redneck super-spy is back in this bigger and better sequel!

A young man struggles with a raging addiction to a particular beverage.

An antique store full of yesteryear's dolls becomes a hellscape.

A troupe of untalented actors attempt to make a Monty Python-esque mockumentary about Christopher Columbus.

A mad scientist attempts to convince his assistant to help him "un-alive" their test subject.

A disturbing short in which an intruder kills one of two men, then leaves, and the survivor isn't even slightly concerned about his friend's demise.

A serial killer escaped from an insane asylum dons a vintage Santa Claus mask, breaks into a suburban home, and begins to slaughter its occupants.

Nosferatu is a vampire with a nose so long that it makes him funny instead of scary. How will he ever acquire the blood he needs to survive?

The cursed artwork that drove a man insane in the original short film still dwells in his old house. Now that he's out of the picture, other forces want it for themselves. Only two clueless stoner college kids stand in the way.

Our hero awakens from his slumber to find a terrifying creature lurking on his ceiling.

The original one-note short that became the foundation for the crime-comedy podcast Never Call Paul. A gangster whacks his target, but needs help getting rid of the body. He calls in the cleaner, who works by day as the proprietor of a fine chain of Cuatro Taco restaurants: the titular Paul. But Paul's methods of hiding bodies are more sinister than anyone can imagine.

An in-depth look at the legendary Minecraft rap outfit Lil Crafters as they reunite for the recording of their second and final album.

An experimental short told solely via emojis and poetry.

The camera holds on a single oil pastel piece, the details of which become increasingly sinister as the narrator recounts to us how he acquired it.

Filmmaker Evan W. Gerdes shoots his family's land in Groesbeck, Texas from sunrise to sunset, using long, uninterrupted takes with natural ambience to translate his fondness for the place he grew up.