Disengagement

House

House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor; requisitioned by the Israeli government as "vacant'; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a patrician villa... The building site is like a theatre in which the former inhabitants, the neighbours, the workers, the builder and the new owner all appear. Israeli television censured the film. "Gitai wants this house to be both a symbol and something very concrete; he wants it to become a character in a film. He achieves one of the most beautiful things a camera can register 'live', as it were; people who look at the same thing but see different things - and who are moved by that vision. In this crumbling shell of a house, real hallucinations begin to take shape. The film's central idea is simple and the film has simply the force of that idea, no more, no less."

Carmel

Israeli filmmaker Amos Gitaï offers a look impressionist long history of armed conflict in their nation.

Wadi

Wadi is a valley located east of Haifa. A former stone quarry, it is a sort of enclave where Eastern European immigrants, survivors of the camps, live in a state of fragile coexistence with Arabs who have also been expelled from their homes.

Metamorphosis of a Melody

In this film, the itinerary of Flavius Josephus at the time of the destruction of the Temple of Jerusalem in AD 70 crosses that of Prime Minister Yitzhak Rabin, assassinated in 1995, and the memory of the Holocaust through images of Poland. Milim reflects Amos Gitai's views on the history of the Jewish people and Israeli society in the wake of Rabin's assassination.

To Each His Own Cinema

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

A House in Jerusalem

Can a house be a metaphor for Arab-Jewish relations in Israel? Amos Gitai returns to the house in West Jerusalem he profiled in 1980. He interviews members of the Jewish families who live there, and he talks with the Arab family who lived in the house until 1948. They are now in East Jerusalem and pay a nearly furtive visit to the street in front of their old house. Gitai also interviews Palestinian laborers at work on renovations and excavating an old tunnel to the Holy Mount. What do people think of each other, what do they think of Israel, what do they think of co-existence? Do the current residents know the house's history?

September 11

An anthology of short films inspired by the events of the September 11 World Trade Center attacks.

Field Diary

The story of various journeys through the West Bank and Gaza Strip occupied territories during the months leading up to Israel's invasion of Lebanon.

Kadosh

The year 2000 approaches in Jerusalem's Orthodox Mea Shearim quarter, where the women work, keep house, and have children so the men can study the Torah and the Talmud. Rivka is happily and passionately married to Meir, but they remain childless. The yeshiva's rabbi, who is Meir's father, wants Meir to divorce Rivka: "a barren woman is no woman." Rivka's sister, Malka, is in love with Yakov, a Jew shunned by the yeshiva as too secular. The rabbi arranges Malka's marriage to Yossef, whose agitation when fulfilling religious duties approaches the grotesque. Can the sisters sort out their hearts' desires within this patriarchal world? If not, have they any other options?

One Day You'll Understand

A man endeavors to collect memories of his grandparents who died in a concentration camp during the Holocaust.

West of the Jordan River

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

Free Zone

Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.

Kippur

The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. We are led by Weinraub and his friend Ruso on a day that begins with quiet city streets, but ends with death, destruction and devastation of both body and mind. Various scenes are awash in the surreal, as Weinraub's head hangs out over a rescue helicopter's open door, watching with tranquil desperation as the earth passes beneath, the overpowering whir of the blades creating a hypnotic state. It is not a traditional blood, guts and glory film. There are no men in battle, only the rescue crew trying to pick up the broken pieces.

Golem: The Petrified Garden

Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.

Venice 70: Future Reloaded

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Golem, the Spirit of Exile

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.

Zero Motivation

Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.

The Band's Visit

A small Egyptian police band travels to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves stuck in the wrong town.

Yossi & Jagger

A sociological study of two men in the Israeli army who are lovers. The others in the unit react to their situation, suspecting, but not always understanding. One will leave the military soon, a few months away, as a snowy and desolate outpost is guarded from attack.

Gett: The Trial of Viviane Amsalem

The trial story of Viviane Amsalem's five year fight to obtain her divorce in front of the only legal authority competent for divorce cases in Israel, the Rabbinical Court.

Adam Resurrected

After again attempting to commit murder, a Jewish man with a mysterious past and extraordinary intelligence, charisma, and body control returns to an insane asylum, where he makes a startling discovery.

Exodus

Ari Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.

Earthquake

Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.

Even Dwarfs Started Small

A group of tormented patients stage a coup at an oppressive, dismal asylum after they're not allowed out on an excursion.

Iron Eagle II

Chappy Sinclair is called to gather together a mixed Soviet/U.S. strike force that will perform a surgical strike on a massively defended nuclear missile site in the Middle East. Chappy finds that getting the Soviet and U.S. Pilots to cooperate is only the most minor of his problems as he discovers someone in the Pentagon is actively sabotaging his mission.

Jesus Christ Superstar

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

Evangelion: 2.0 You Can (Not) Advance

Under constant attack by monstrous creatures called Angels that seek to eradicate humankind, U.N. Special Agency NERV introduces two new EVA pilots to help defend the city of Tokyo-3: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Meanwhile, Gendo Ikari and SEELE proceed with a secret project that involves both Rei and Shinji.

The Body

An ancient skeleton has been discovered in Jerusalem in a rich man's tomb. Colouration of the wrist and leg bones indicates the cause of death was crucifiction. other signs, include a gold coin bearing the marks of Pontius Pilate and faint markings around the skull, lead authorities to suspect that these could be the bones of Jesus Christ. Politicians, clerics, religious extremists and those using terror as a means to an end, find their beliefs and identities tested while risking their lives to unearth the truth.....

The Red Sea Diving Resort

Sudan, East Africa, 1980. A team of Israeli Mossad agents plans to rescue and transfer thousands of Ethiopian Jews to Israel. To do so, and to avoid raising suspicions from the inquisitive and ruthless authorities, they establish as a cover a fake diving resort by the Red Sea.