Fontanestrasse

The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.

Red light. Two cars. So I hit the brakes- PFFFHP TT! And can’t get up, can’t move… Acoustic collage: Ruth Wiesenfeld. (DSP)

Long ago in ancient Persia, Esther saved the Jews there from a massacre: Beauty and Justice prevail. 2 floating worlds - blue and red, and earth tones. We celebrate PURIM in remembrance. (DSP)

Although this part of Neukölln (a district in Berlin) has a reputation as a dangerous place, I see it, through golden late summer light, as an inviting place. I have lived, for 10 years, on a side street of the Hermannstraße, first on the one side, then on the other. Gentrification has already commenced a few blocks north of where I live: there's a gradual progression heading south on Hermannstraße; closer to Hermannplatz, things get busier. North of the famous square is as trendy as in many other parts of town now. This multimedia project (16mm film, installation and hand-made book) is an attempt to make the different segments of this street palatable to viewers: it's not a matter of relaying a message, but more a feeling of the place... (DSP)

A short film by Deborah S. Phillips.

During the pandemic, I shot single frame 16mm material dealing with the dialectic between wanted to be left alone and spending time with people. The result, shot over a bit less than a year, is a film called ZERRISSEN (Torn) which expresses my thoughts during this unusual time. The film was shot in its final order and not edited; when it was finished, I recorded and added sound.

The reflections in this complex, where I was treated by an osteopath, as well as how people moved therein, fascinated me… (DSP)

Part 3 of the Bethanien Tetralogy.

In "Mosaïc", the Islamic and Jewish decorative and architectural motifs are based on images, drawings and photographs of intercultural places: Samarkand, Bukhara, Fez, Casablanca, Andalusia, Isfahan, Cairo, Istanbul...

After a tough time, a little bit of lightness is called for itself. A search for beauty in the world around me. (Deborah S. Phillips)

Loosely based on Lewis Caroll's Through the looking glass, BREAD is a series of metamorphoses. We pass through a table into a world of strange mutations: bread crumbs bounce and dance. At the end gravity wins.

A third of a film-book-installation project. Three times fallen, three times restarted, three legs, three ends. The story of Jewish immigration.

Green turns red, so my colours come full circle.

The Hertabrücke (Herta bridge) is around the corner from me & a neighbourhood place to meet... (DSP)

A 35 mm. experimental film.

This is composition reacting to a whinging zeitgeist, threatened with the possibility of war. A still-life in time, a means of having hope. The Allam house is in Esfahan was being renovated when we were there. It had been damaged during the Iran-Iraq war.