Homecoming

About the arrest and enslavement of a crashed American airman by a backward tribe of the Yi people in central Sichuan during WWII.

Aggie is suffering a great pain after the death of her Grandmother. She has no one else so she moves in with her Godmother and her son, Louie. Aggie does not speak a single word, the pain she is going through is unimaginable, and this portrayal is simply stunning in its sadness and grief. Louie and Wah try to make her feel at home, and soon Aggie's passion for cooking shines through her sadness.

A romantic comedy directed by Hong Kong New Wave filmmaker Yim Ho.

A group of teenagers stop at a service station after a leaving a disco. In a fight resulting from their inability to pay, the staff on duty are killed by the group, which leads to a desperate night of cat and mouse with the police.

Hakky Ho (James Yi Lui) holds on to his love of acting and dreams of being a star despite the chaotic, brutal, low-paying, hilarious reality of life as an extra. He falls in love with fellow extra Siu-Fong (Idy Chan), but the star (Kenneth Tsang) wants her for his next extra-marital conquest.

When impoverished young bride Youyou (Zhang) collapses from hunger at the door of handsome buccaneer Pan Hao (You Yong), he immediately decides to have her, much to the chagrin of his current squeeze, Widow Ma (Jiang Yanqiang).

After moving to Hong Kong from China, a young martial artist starts a promising career as a stuntwoman. She begins to feel accepted in the business, but a passionate affair with a playboy ends up breaking her heart and unleashing her wild side.

Stretching across the canvas of the Sino-Japanese War of the 30s, the subsequent Japanese surrender in 1945, and the onslaught of Communism, this film depicts an ill-fated romance between a talented lady novelist and a Chinese traitor working with the Japanese who fall victim to the mayhem of war and their tragic inability to reconcile political differences.

Two independent stories involving chess wizards are interwoven to satirize the politics of the Chinese Cultural Revolution as well as Taiwan's capitalist boom of the 1970's.

Xiao Yu (Zhou), a barista and cake maker in a teahouse-café by Westlake in Hangzhou. Since a car crash long ago, she had been leading a peaceful life with her kind-hearted best friend and fellow car crash survivor Tong (Yim) who is unabashed in admitting that his feelings for Xiao Yu have developed into love. One day A Qin (Chen) celebrates his birthday alone in her café. Xiao Yu's curiosity sparks off their dialogues and both discover they have many parallels. But A Qin is a player who is escaping to Hangzhou from the pressures of his relationships in Beijing and Xiao Yu is pursued by Tong ... What will be their choices?

Set in Hong Kong in the 1980s, the film follows a fisherman’s son who rises to become a powerful tai pan.

Guan Jian wants to report the murder of his father who died 10 years ago. The alleged murderer whom Guan Jian accuses of the crime is his own mother.

With World War II looming, a prominent family in China must confront the contrasting ideas of traditionalism, communism and Western thinking, while dealing with the most important ideal of all: love and its meaning in society.

Lau may love to indulge in a bit of alcohol and womanizing, but he's also a serious writer who's respected by his colleagues in the cultural world. However, his work is getting less and less respect from his commercial-minded editor, who forces Lau to write action-filled wuxia serials and erotic stories. After an attempt at a tasteful, cultural magazine fails, Lau succumbs to the commercial reality and writes practically anything to survive. Haunted by his memories of World War II and his professional failures, Lau falls even deeper into his addiction of drink and woman…

The third episode of the Hong Kong reclaimed “Social Worker” series (1976), which showed the ecology of marginalized teenagers and their interaction with social workers.

Understanding "beauty" for 2015... From Beijing, Huang Jianxin wonders if it's nobler to sleep or not to sleep in Insomniac Diary. In London, Mohsen Makhmalbaf's Tenant tells the misadventures of an Iranian boy trying not to lose his bed-sit. With Three Days After My Death, Yim Ho creates a parable: a woman who wants to die must save someone's life before her death wish be granted. Tsai Ming-Liang returns with No No Sleep, where bare-footed Lee Kang-Sheng walks Tokyo streets in the depth of winter.