Annyeong, Stellar

KIM-GUN searches for the whereabouts of a young man whose identity has sparked a national controversy over the 1980 May 18 Gwangju Uprising. Starting with the vague memories of those who had crossed paths with him during that time, the film tracks down those who participated in the Uprising as “Citizen Soldiers.” It also traces KIM’s final steps, based on photographic clues found in the firearms he carried and the “Surveillance Truck No. 10” in which he rode. By identifying KIM-GUN, we believe that we can find valuable leads to resolving the ongoing controversy over May 18. Why did a nameless young man join the Uprising? Why did he take up arms? Where has he gone afterwards? It is the answers to these questions that the film seeks.

The keepers are kept busy with animals under their care. These animals, although they've got the hint of their natural instinct left, are unlikely to survive if released back to the wild. It'd be difficult for them to take part in the pack and they lack the skills to find food. Nevertheless, the ultimate goal for everyone at the zoo is to send the animals back to where they truly belong.

On Mondays, when the theater is closed, actors climb a mountain. They have been climbing the same mountain every Monday for 15 years, carrying their pains, dreams, and goals in their hearts as they climb Seoul's mountains together.

The director follows the activities of those who are turning the zoo into a sanctuary for native wild animals. Establishing a sanctuary is the only way to save wild animals that cannot return to their natural habitats from being put down. The project was proposed by an employee of the Cheongju Zoo, and animal rights activists as well as the Chungnam Wild Animal Rescue Center and the Chonbuk Animal Medical Center joined to help.

What does it mean to care for a being that has nothing to do with you? How can we explain spending one’s youth in a rural mountain valley, enduring hardship to care for wild animals that, unlike pets, will never grow close to humans?

A man enters a rehabilitation centre for ex-convicts

A detective is led by an accidental postcard to investigate an incident at USFK base Camp Long. Camp Long is in ruins with no one coming for twenty years. In the process of gathering, defragmenting, and arranging neglected information, the detective discovers that a strange geographic data value called Camp Long ATM occupies all space and time. However, there are no traces of any ATMs or banks at the scene, and only bright red bloodstains are disguised as evidence. The film is a mystery report of a detective trying to understand the legacy of time.

Choi Se-dam's grandmother, Yoon Young-ja, wanted to write a novel titled A Woman Dancing on the Waves. She spent her life as a shaman, building the family up from nothing. But she never managed to write the novel and eventually forgot who the 'woman dancing on the waves' was. Making her grandmother, who is gradually losing her memory, the protagonist, Choi unfolds a strange and remarkable family history.

A girl was missing, and her father has searched for her whereabouts for 17 years. The film depicts the life of families left behind. They can't give up nor keep searching. Their lives should go on. The film asks what is left after someone is evaporated.​

Born in Wonsan in 1935, Kim is one of Korea's first-generation female sculptors. At 49, she gave up her professorship and left for Argentina, spending the next 40 years working in South America, following trees, stones, and raw gemstones. Then, at 90, she returned to Korea.