The end of the beginning of the end

A documentarist fights to free himself from his own fate.

A young man makes a terrible exchange with an ominous emisary.

Observation. Consumption.

A young outcast tries to deal with rejection, with the help of his sinister friend.

Ricardo and his friends discover that the mother of one of them may be a prostitute. The conversation will become darker when one of them makes a suggestion. Friendship and moral boundaries are tested.

An exercise in futility.

A contemplation of life.

Transformation.

Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.

A girl pays tribute. A dance.

Consumption. Asphyxia.

Inside a cold and rusty bunker, Irina and Georgi endure the aftermath of a nuclear war. Georgi’s heavy radiation sickness and imminent death prompt Irina to repair his old, beloved guitar so he can hear it one last time.

Sister Marina, a very unorthodox nun, is sent during the summer of 1994 to El Parral, a boarding school for boys threatened to be closed soon. Even though the kids welcome Marina with all kinds of pranks, they will, little by little, become something very close to the family they never had.

Mikel, a young cook, meets with his father Juan, who had been missing for 30 years. While trying to keep his restaurant afloat, Mikel has to take care of crazed Juan, a former cook who suffers from a mental condition that prevents him from recognizing neither the aforementioned time gap nor his son Mikel.

On the tragedy of birth.

A prisoner struggles. A veil is shattered. Devastation ensues.