Alexandra

Originally aired on Russian television, this five-part semi-documentary series tells the story of a Russian naval commander in charge of an Arctic-based ship. The film provokes a meditation on solitude and isolation, while revealing the daily duties associated with the ship. Voice-over narration by the commander, other sailors, and even a third-person voice provide the “confession” of the title.

This intimately narrated journey from Russia to Rotterdam, via rail, road and Finnish ferry, is a melancholy meditation on divinity, time and place in art, purpose (or its lack) and the loneliness of the soul. Passing through misty snowscapes, half-glimpsed cities and the icy night sea-swell.

A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.

A re-imagination of Japanese Emperor Hirohito’s final days in power as WWII draws to a close.

A man goes for a walk through the countryside with his dying mother.

1998, Nalchik. A Jewish family is in trouble: the youngest son and his bride do not come home, and in the morning, a ransom note arrives. The ransom is so high that the family is forced not only to sell its small business, but also to seek help from its fellow tribesmen.

A doctor in early 19th-century Germany becomes infatuated with the sister of a man he unintentionally killed and bargains with the Devil incarnate to conjure their union in exchange for his soul.

Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.

A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally intended to mark the 50th birthday of Tarkovsky in 1982, which would have been before his death. Controversy with Soviet authorities about the film's style and content led to significant delays in the production.

A man tries to come to terms with his father's death and to deal with the mundane details of his burial in a society cut off from spirituality.

An anonymous man wanders through decomposing, fog-enshrouded catacombs and encounters a series of “the degraded and the humiliated,” including a holy prostitute and a Kafkaesque bureaucrat.

In 1942 Bavaria, Eva is alone, when Adolf arrives with Josef, his wife Magda, and Martin to spend a couple of days without politics.

This film was Sokurov's first feature at Lenfilm, roughly based on a short story by the contemporary Soviet writer Grigory Baklanov about the transitional period from power to subordinance.

This bleak late soviet-era drama follows the career of Malyanov, a young medical school graduate who has been sent to work in Turkmenia. Here he runs into a hodge-podge of people of differing ethnicities, all of them victims of the government's earlier mania for relocating and eliminating whole ethnic groups and classes of people. These desperately unhappy people are unable to find any pleasure in this diverse companionship, but instead are antagonistic to it, and often resort to desperate measures in their doomed attempts to ease their pain.

Unfolding over two days in 1924, the film depicts the dying Lenin, world revolutionary and father of the USSR, now powerless and isolated at his Gorki estate. Cared for by his wife, Nadezhda Krupskaia, sister Maniasha, his German doctor and several attendants, Lenin raves about his diminishing faculties, discusses the deaths of great figures (including Marx), rides a car to a picnic in a meadow and ponders his historic legacy.

Set in the early 1920s after the end of the Russian Civil War, Red Army soldier Nikita returns to his hometown to see his partner Lyuba, both of whom are scarred by the trauma of the Russian Empire of yesteryear.