日曜のあと

It's a sad and humorous story about a man encounter with various women and slowly regaining his smile. The woman whom he loved most in his life, Asuka, made a living by selling saliva for perverts. The story will focus on his six years with Asuka.

Twenty-five-year-old Momo has friends. Her parents live some distance away, but they sometimes get together to dine out. She dates an acceptable guy, and they share drinks at home. She apologizes to unreasonable clients over the phone at work and hones her ability to keep things civil with coworkers at drinks after work. This perfectly ordinary life means Momo doesn't immediately notice a nagging feeling: "I want to die." For her, it's a phrase she must never say aloud. One summer, unable to bear the thought of the coming Monday, Momo takes a day off from work. She begins to visit other people who struggle with thoughts of suicide, but have discovered alternatives and choose to live instead. She connects with these "Papagenos" through social media. Over the course of her difficult journey, Momo herself begins to discover other choices beyond death.

Seven huge holes appear in Japan — could they really be gods? Eight people and their teacher share their stories and secrets before entering the unknown.

Yumi (Mai Kiryu), studying design at university, is dating Naoya (Kisetsu Fujiwara), a member of the theatre society, when one day she learns that she's pregnant. She tells Naoya, who dreams of owning his own theatre company in the future. The more they face reality, the more they seem to be at odds with one another...

Watako has just lost her lover, Kimura, in a traffic accident in Tokyo. She decides to bury the trauma of this tragedy and carries on with her life with her husband. Although she puts on a facade for a while, the loss of Kimura has left deep marks, and she can't escape his memory any longer. She must now confront her grief.

In a futuristic Tokyo where police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the 'cutter' demographic, Ruka is on a mission to avenge her father's assassination. Ruka is a cop from a squad whose goal is to destroy homicidal mutant humans known as 'engineers', that possess the ability to transform any injury to a weapon in and of itself.

Oyama, Nishino, Kubota are sophomore high school boys. They are football players and active in their school's team. However, Nishino and Oyama are lax and too casual about the whole thing. Kubota, on the other hand, believes in the sport and his team's chances, bears the ambition of winning the national Japanese intramurals and needs Nishini and Oyama to focus, become serious and step up.

Eri and Hiroyuki are remarried couples in their 40s. They enjoy going on trips, having meals, and living an elegant life together. However, their only worries are the slight deterioration of their appearances and the fact that they have gave up getting children. Suddenly, a mysterious woman appears in front of Hiroyuki and the couple starts to experience a mysterious event.