Bello di papà

Marco Santin and Giorgio Gherarducci - supported in the studio by Mago Forest, a great cast of comedians and many surprise guests - comment with biting irony on the most popular TV programs, the main sporting events and the last web trends.

Michele, a young mathematics professor, moves into a new flat. Lonely, depressed and neurotic, he spends his time obsessively monitoring the couples around him, especially his neighbors, a young pair struggling to make their relationship work. When Bianca, a new teacher at the local high school, enters his life, Michele finds himself falling in love. At the same time, a string of murders rocks the neighborhood, casting suspicion on him.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

In 1920s Bagheria, Giuseppe 'Peppino' Torrenuova works as a shepherd to financially help his poor family. Over the next fifty years, Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl, has children, and forges a political career for himself.

Michele is a young filmmaker frustrated by the lack of understanding his work receives and at odds with the film industry, especially a colleague making a musical on the '68 student protests. As he struggles to complete his own film about Freud's mother, Michele's insecurity and creative block manifest in a series of unsettling nightmares. Nanni Moretti's self-inquiry into cinema, political ennui, and men's relationships with their mothers.

It's Christmas Eve in Naples. Little Rocco feels increasingly jealous due to the imminent birth of a baby brother. Three bungling devils sent by Satan promise him that if he'll stop Jesus from being born—entering the Nativity scene his father built by the magic word "opopomoz" and altering the past—his brother won't be born either.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

When his girlfriend Giorgia leaves him for his boss, journalist Giulio suddenly finds himself without a woman and with no job. Determined to win back his ex, he attends Valeria's classes, who teaches single men the art of seduction, convinced that relationships between people are motivated by simple biological stimuli.

The young Antonio wants to participate in a reality show and leaves Naples for Milan with his best friend Eugenio.

Three families go into crisis when their daughters get engaged because they are convinced that their young daughters have all chosen a wrong partner.

A police inspector has to help an eccentric stranger who seems to have lost his memory.

Ottavio Camaldoli is a professor of Latin and Greek. An honest and gentleman, he is considered a "fool" by everyone around him. But what would happen if this defenseless man, a victim of petty daily abuses in his social life, at work, and even at home, were to receive another man's heart transplant? Especially if this other man, the donor, were a brutal criminal with the sinister nickname of "O Barbiere" (The Barber)? Would Ottavio Camaldoli, after inheriting the heart, automatically become a criminal? Science tells us that these are just silly, ancient beliefs. But what if Donna Carmela, the Barber's ruthless mother, were convinced that her son is still alive thanks to the heart now beating in the professor's chest?

Two aging men bond over their respective heartbreaks, but it may not be over yet...

Six people struggling with their relationship, or lack thereof, cross paths with their respective exes — and discover they might still harbor feelings for each other.

Antonio, an honest citizen, seeks his revenge against Simone, a dishonest politician. Antonio initially wanted to report him but then, knowing Italy, a country in which the justice process is very long and uncertain, he decides to take revenge in another way: he discovers that his enemy has hidden the proceeds of his misdeeds in a Swiss bank and decides to organize a hit to get back what was stolen from him. To accomplish the feat, Antonio sets up a small gang, made up of non-professionals who have only one thing in common: they too have been defrauded by corrupt politics. The heist takes place in Zurich where the bank in which Simone hid the money is based. With a series of unpredictable consequences, and with a funny substitution of people (Antonio and his wife pretend to be Simone and his partner), a comic clockwork mechanism starts. And the heist begins.