Ombak Rindu The Series

This RM6.0 million film is Malaysia`s biggest film production to honour the fight against Covid-19; bringing a real-life story to the big screen with five directors, three production houses, 100 artistes and 200 crew members to ensure that Malaysians and our future generations do not forget the pandemic period.

Langit Cinta tells the story of a forbidden love between Aliff, from a well off family, who left behind his families legacy to pursue his love and relationship with a village girl named Khadeja. They pursued their love and eventually ended up in marriage. Aliff’s family had disapprove of his marriage to Khadeja and manage to find a deceitful way to cut relations between the two. Without Aliff by her side, Khadeja had to remain vigilant and move along with her life going through difficult times as a widow. At the point where she had almost lost hope for Aliff to return, Budiman enters her life to be her savior and broken heart with a new sense of hope for happiness. Will she open her heart to accept Budiman’s love or she remains loyal to Aliff?

Hisham, a drug dealer, finds himself stuck in a situation where he had to hand over his young son to a homeless woman. Hisham is caught and jailed. Mariam, who is a few cans short of a six pack raises the baby, now named after the famed legend “Indraputra”, in very meager circumstances, but full of love and art. They live in a squatter area and have neighbors named Bu Leha and Putra’s best friend, Johanna. They move to Kuala Lumpur in hopes of a better life, but Putra and Johanna inevitably grow up to be street kids, tough and full of conflict. They live hand to mouth, but at the same time their poverty does not stop them from having strong friendships and at times, to enjoy their youth.

Izzah a simple kampong teacher is sold to a brothel by her uncle on the pretext that they need money for her Aunt's surgery. Her first customer is Rich playboy Hariz whom she begs to marry her and take her out of the rat hole. He marries her, brings her home, the only good deed he has done in a long time. Unknowingly he falls in love with her, and wants to break his engagement to childhood family friend Mila, but due to family pressure has to marry Mila. Thus begins the triangle of a saga which entangles three lives into a myriad of emotions.

After a traumatized woman's hope for a new life is crushed when her savior marries her biological sister, she vanishes only to return years later seeking brutal revenge through dark magic.

The story follows Gina (Maya Karin) and Joe (Bront Palarae) who embark on a trip for personal self reflection and peace in Phuket after being let down by their respective partners. They are mere strangers to one another, but somehow find solace in each other by talking about their past relationships.

Azlan and his friends are on holiday, visiting the forbidden island of Pulau Langsuir. There, Azlan meets Suri, a beautiful girl, and falls in love with her. Little did he know that Suri is a 'langsuir' ghost that inhabits the island. Envious of their romantic relationship, Azlan's friends plot to stab Suri's head with a nail to reveal her ghost form. This only brings chaos to the group as their plan has invoked the wrath of Suri's sister, Dewi.

In a remote village, a young girl named Suriram goes mysteriously missing. Maimon, who is deaf and mute, is the prime suspect in the case because she was last seen with Suriram. The village folks also believed that someone in the village was retrieving a mystical ancient ritual that involves children sacrifices.

Bukak Api was made to heighten HIV/AIDS awareness amongst the sex-worker community in Chow Kit, Kuala Lumpur, portraying the subculture as honestly as possible. The film was a community effort which brought together various agencies, residents, brothel owners, sex-workers, film students and production houses in support of the need for community-friendly information. It is an example of Pink Triangle Malaysia's working approach of community development for HIV/AIDS education, support and care. Bukak Api or "to open fire" is street lingo among sex-workers to mean "to have sex with a client".

A second chance at life leads her far astray. To escape the misery of her past life, Ihyana now allies herself with something and brings new teachings. While fleeing from her ex-husband, Ihyana had an accident but was fortunate because she was saved by an extraordinary entity that changed her behavior.

This tele-film tells the story of the love between two people from different worlds. The love between a village man and a woman who is a practitioner of black magic.

Embun, a woman who has lost her beloved husband but shares her love with a special child named Nomi. While Embun continues to hold onto hope that perhaps one day her husband will return, she struggles to fight for the fate of Nomi who is oppressed by his own biological mother. How far will the love between these two people remain eternal, for every true love often comes with a sacrifice.

Sinaran is set against the music of popular Malaysian diva Sheila Majid. It’s about how college freshman, Shila, learns about life and love in the face of challenges.

# Translation Inara (Elizad Sharifuddin) breathes again after being declared dead. After being 'revived', Inara changes and wants to become a good Muslim woman, someone different from who she was before. Inara's parents, Asyirah (Aleza Shadan) and Zaqwan (Dato' Jalaluddin Hassan), are delighted with Inara's transformation, but what they teach her about religion confuses Inara. Zaqwan is a member of the 'Elite Movement' group. Meanwhile, Asyirah champions the ideology of the 'Islamic Women' group which differs from the extremist 'Elite Movement' faction. Inara then meets Hamzah (Dato' Aaron Aziz), a drug addict who is HIV positive but living a healthy life using antiretroviral medication. Hamzah runs a community café aimed at helping drug addicts. When Hamzah meets Inara, he knows that she is the best woman for him. Although Inara initially rejects Hamzah's love, she feels comfortable and safe beside him.