Traveling with Maxim Gorkiy
A film-intrinsic observation of the world as such.
As so often, also here it's rather about allusion than description. This also applies to the persons represented. Flat silhouettes of people. Their heads depicted in profile. Faces with no expression, formal gestures. In the background, a little bit of everyday life: The hard, square, stone architecture arises from ocher-colored, brownish, blackish mush of color or mud. A demonstration of the function of the central perspective. An idealized representation of a tropical paradise. Strangely, there's no absurdity in this.
Directed by Kolja Kunt · Written by Kolja Kunt
Make it a double feature
1h 11m together
Traveling with Maxim Gorkiy
The Invisible Frame
Both from Kolja Kunt.
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