Correr, correr, correr

A group of matchboxes wanders around wherever they please.

Five friends enter a radio contest and win a prize for the whole group. One of them exchanges it for a cell phone, without considering the consequences of her decision.

Set in a high school, with secondary students, it has a simple plot, good acting, and a fluid narrative. A boy is in love with a girl, but he doesn't dare confess his feelings; when he finally decides to, it's too late. The final scene shows him descending the school stairs from a high angle.

A young man without opportunities spends the entire day without doing anything apparently important for his life. Meanwhile, he competes in a TV show.

Behind the Jorge Chávez International Airport lies the former San Agustín hacienda, founded at the beginning of the 20th century by a Catholic congregation and later acquired by the Prado family. The hacienda was dedicated to sugarcane cultivation and later to cotton. In 1930, a Japanese colony arrived and subdivided the hacienda. In 1960, construction of the airport began, for which part of San Agustín was sold. The workers settled on these fertile lands and on January 9, 1973, they created the shantytown of El Ayllu. To this day, they do not possess property titles, and in 2000 the government declared its expropriation. However, optimism prevails among the population, reflected in their soccer and cockfighting championships, patron saint festivals, and even the creation of the Juanita Barrantes community library, in honor of the teacher of all generations in the town. The uncertainty of the imminent departure does not diminish the cultivation of their lands, customs and hearts.

A documentary where two guys want to take advantage of Valentine's Day to start a business, but reality will hit them hard.

Short documentary made with archival footage of the poet Elí Martín, and testimonies from family and friends who remember him.

After five years, Iturbide, a young man bored with his job, runs into an old college friend (Pancho) whose working conditions are diametrically opposed to his own. Pancho promises to get him a job at the company where he is a top executive. Touched by his friend's gesture, Iturbide only has to send a simple application, but this process will cause him a few minor inconveniences.

Pancho sits at his table, waiting for a friend to play cards; however, the person who arrives is a dangerous killer willing to do whatever it takes to get away with his crimes. Pancho—no pushover himself—refuses to back down, and the two engage in a psychological duel where the weaker party could snap at any moment.