Mirror Like

A narcissistic saxophonist struggles against self-generated obstacles to reach an important jazz audition, unaware that he is the source of the conflict.

Yon and Dany run in terror through one of the vast wheat fields found in the Vilcanota mountain range. They head toward the only visible refuge: an abandoned cabin. Yon, who is in front and has a leg injury, forces the door open, while Dany, following behind, trips and falls to the ground. Yon manages to open the door, and Dany runs for her life. She narrowly avoids being trapped and enters the house. Yon and Dany desperately try to prevent the door from falling. The attack is ferocious. Dany is terrified, and Yon can only murmur a few prayers. Suddenly, the attack stops. There is a figure painted on the wall: a fox carrying a reptile in its mouth. Yon and Dany have a moment of respite, allowing them to consider their options. Dany has lost her cell phone while running, and in the middle of a tense argument between them, it rings from outside the house. Their only hope of rescue lies outside. Yon can't walk, and after some arguing, he manages to convince Dany to take the phone.

A newly arrived immigrant from the countryside to the Urubamba district (José Luis) has until the end of the day to get 500 soles to pay off loan sharks who have threatened him. Without contacts or help, he wanders the streets looking for temporary jobs, trapped in a recurring cycle.

A transmedia project that merges music, film, and digital storytelling. The entire concept revolves around a musical enigma: "Pisces, the Singer," a legendary 1970s sensual music artist with a fish head, who vanished from history almost overnight, a victim of what appears to be an inexplicable collective amnesia.

Vicente, an 11-year-old boy and Guillermo, an 80-year-old man, meet every day at the same bus stop. Although they recognize each other, they never relate. An unexpected event confronts Vicente with himself, revealing one of the primordial conditions of human nature.