Jinrai: The Boss's Ransom

Based on the true story of former professional boxer Iwao Hakamada who has spent over 40 years incarcerated on death row. Iwao Hakamada was arrested for the June 10, 1966 murder of a family in Shizuoka . Iwao Hakamada has always insisted on his innocence and many others also believe Iwao Hakamada has been falsely accused ...

Hibi tells about mother who does pottery and lives rather simple life, growing her children up. She does remarkable job in pottery, finding a new way to make natural pottery in her own tunnel kiln. Then, her son gets leukemia. And entire family has to fight hard to find a donor who has matching bone marrow.

In the early 1200s, Dogen brought Chinese Zen philosophy to Japan, and established the Japanese Zen school of Buddhism. He taught that a person was capable of realizing Buddhahood within himself, by way of Zazen. Zazen is extended hours of sitting and meditating to achieve a state of “Mu” (nothingness, or empty existence).

Shortly after moving to the suburbs, the Kobayashis start to come undone. Convinced a family curse is at the root of their erratic behavior, the man of the house takes it upon himself to course-correct before it takes the last of their sanity.

Junko pretends to be a yakuza and gets more than he bargained for when he is tasked with avenging the murder of a fellow gang member. If he turns the task down, he will face the consequences for betrayal.

A woman run a store in a tiny seaside hamlet near the cliffs where people come to commit suicide.

Ai is a call girl that makes good money for what she does but there’s always at risk no matter how good the money is.

Yasuko, a housewife, lives in an urban high-rise apartment with her husband Satoru and her son Takuto. Annoyed by spam calls and door-to-door salesmen, Yasuko slams the door on a salesman’s hand when he tries to squeeze a flyer through the apartment's chained front door. He leaves, but the next day, her nightmare starts.

In the sequel to 1990's classic Neo Chinpira, Junko (Sho Aikawa) attempts to take out Kazama and then goes on the run. However, he quickly begins to feel homesick, and returns home to find that almost everything has changed. Noriko is now a bar mama with a lavish lifestyle, Yumeko is nowhere to be found, and his boss (Toru Minegishi) seems to have sinister plans involving Junko and his uncle (Jo Shishido).

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

A look at the lives of two prostitutes in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. In addition to their working life, the film also looks at their private lives. Rei is acting in an amateur theatre company along with the receptionist from Ayumi's escort service, while Ayumi is living with her student-boyfriend as he struggles to finally get accepted to college.

An ardent culture-vulture youth, previously charged for the murder of a woman when he was young, plans to hold hostage a local bank.

He's the target! The emptiness after killing him makes me crave a woman's body

Set in the near future after a nuclear war, the film portrays a man who is searching for his former lover.

16 year-old girl named Aya is infatuated with the proletarian politics of working-class rebel, Miyata. Her sister Sono believes the boy is not a good influence and she allows her ‘Master’ (a powerful Judge with whom she is a mistress) to arranged for the authorities to kill Miyata. After the boy’s death, Aya tries to take revenge against the Master but gets arrested for attempted murder. Due to the Master’s influence, Aya is sentenced to house arrest… at the Master’s home (!). She is soon raped and introduced to bondage and extreme sexual abuse.

Rachi has aspirations of becoming a punk rocker. But his tendency towards self-sabotage and a budding sexual addiction makes matters increasingly difficult for him and his band mates to make it big.