Um Quarto de Século

2009. Curitiba. University of Cinema. After the accidental death of Leandro, a student, inside the filming studio, Romero, the institution's janitor and Leandro's grandfather, after blaming the other 5 students for his grandson's death, kills, dismembers and buries the boys on the campus itself. This story becomes known nationwide as "the boys in pieces". 15 years later, another 6 students are producing a "true crime" documentary about this brutal crime and someone does not want this story to be told. New deaths begin to occur.

A reborn angel wanders through the city. Two boys meet on a bus and embark on a sexual journey. A constant flow where narratives converge, creating a kaleidoscope of post-pandemic youth.

Is waking up really a certainty? Death can be a frustrating experience amidst the desperation to make life worthwhile.

Maria takes on the responsibility of caring for her elderly mother, Conceição. During dinner, Conceição refuses to eat, causing Maria to gradually lose her patience and leading to an argument between the two.

Jonas (25) is a young man who is in a toxic relationship with Ricardo (45) and is depressed because Renan, a friend from work, was brutally murdered by the serial killer known as “The Owl”, a psychopath from Curitiba, who has already killed four young men in the city. Things get even more tense in the young man's life when he realizes that, in fact, all of the victims have already passed through his life in some way.

A group of film students decide to challenge their beliefs by exploring the supernatural. With the help of a family of experienced ghost hunters, they investigate the Cemetery House.

A man walks 13 blocks through Curitiba, connecting two of the city's most important cinemas.

The shooting of “Rio e Luar” is about to begin. What the crew doesn't know is that Max, the film's director, is in a secret relationship with Hugo, his photography trainee. The situation becomes even more complicated when Hugo decides that it's time to tell the world how they feel about each other, even if it jeopardizes their careers in the prejudiced film industry of the 60's.

Four criminals break into the Cinematheque of Curitiba, determined to screen films that have never been seen before.