La Barraca

In 1931, Federico García Lorca was appointed director of the student theatre company Teatro Universitario "La Barraca" ('The Shack'). Funded by the Ministry of Education of the Second Republic, the company was tasked with touring rural areas of Spain to introduce audiences to classical Spanish theatre at no cost. Utilizing a portable stage and minimal equipment, the troupe aimed to bring theatrical performance to populations with no prior exposure, with García Lorca serving as both director and actor.

Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

Inspired by García Lorca's stage poem, this is the story of a young woman who cannot realize her desire for self-realization either in the confines of her Andalusian village or in her relationship with her traditional husband.

A woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.

The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.

After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.

Bernarda, a domineering, reclusive, and ostentatiously pious widow in a small Spanish town, keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man.

The first actor of a theater company on tour in Spain dies in a car accident. A new actor, Jorge Ruiz, is to relieve you. He's handsome, young and revolutionary. His arrival creates tension, jealousy and distrust in the rest of the cast, is-especially in Mario Soto, which is responsible to lead in the absence of the author of the assembly, busy with an opera for the Teatro Real in Madrid . Already in the first trial of the work concerned the "Play Without a Title" by Federico Garcia Lorca, their personalities collide head. Morante Carmen, leading actress of the company, and Laura G. Reyna, which was secret lover of the deceased, witness the struggle between the two. As if that were not enough, the newcomer brings added conflict: reading at the end of the function of a manifesto for peace. Mario questioned that decision and the company is divided.

Based on the famous play "Bodas de sangre" (Blood Wedding) by Federico García Lorca, La novia tells the story of a passionate love triangle. A bride leaves her groom, no longer able to withstand the surging desires of her lover, Leonordo.

A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.

Bernarda is a loose adaptation of the play La casa de Bernarda Alba by Federico García Lorca . Five women are kidnapped and locked in a strange factory and forced to work as prostitutes.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful Miranda, she suggests that they both move in together and find jobs. Oliviero, however, leaves Miranda in search of his first love Ana who he met ten years prior. Once in Barcelona, he realizes that Ana's life has drastically changed and their love is in the past. Soon, he meets poet and circus performer, Alejandra. Oliviero becomes smitten and desperately tries bond with her, but she makes things a little more difficult that he ever imagined.

At the end of the 19th century, young Rosita and her cousin are engaged to be married, shortly before he has to leave for Cuba.

In the domain of Bernarda Alba, a daughter who disobeys is no longer a daughter. Forced to live under their mother’s tight grip as they mourn their father’s death, can five sisters survive when young Adela dares for passion and freedom?

The exhibition, which coincides with the birth centenary of the poet Federico García Lorca, proposes a realistic recreation in images by Frederic Amat of the poet's screenplay Trip to the Moon. The aim, according to Amat, is to unravel the mysteries of the screenplay, an effort to distill its essence, silhouetting his poetic suggestion and let the script itself manifests in the different film procedures that invites the Lorquian conception.