Lapa 67

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

A mutant prank improvised by Arnaldo Baptista, Sérgio Dias, and Rita Lee. Os Mutantes on a unique day in the streets of São Paulo.

During a flight, passengers confront their aspirations, frustrations, fears, wishes and fears, mixing up reality and fiction.

The relationship of a woman with three men - her husband, her lover and a man who fell in love with her -, told in a single night, through flashbacks

Two brothels in a small country town fight fiercely for the town's clientele, putting the owners of the two brothels, Salô and Maria Navalha, on a war footing. The conflict between the two establishments will bring problems for Salô's employees, who will rebel while the boss is harassed by the town's police forces because of his homosexuality.

In 1910, in the State of Paraíba, Brazil, a man is expelled from his own land by the ruthless colonel who owns the sugar mill. He asks some outlaws to help him retrieve his land.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Argentina, as hosts in 1978, were under great pressure to succeed. Amidst passionate supporters, they progressed to the finals with a wonderful blend of attacking football and tough defending. The unlucky Dutch, now lacking Cruyffs' sublime skills, were the fall guys once again in the Final, losing 3-1 in a classic clash of styles. This 1991 reedited version omits controversial interviews from the 1978 original "Copa 78 - O Poder do Futebol", while also including additional television footage of the tournament and newly dubbed English narration instead of the original Spanish.

A common robber is turned into a killer when he discovers that his sister was sexually assaulted by a policeman. After his act of vengeance, the police force begins a man hunt which corners the man into the building of a district attorney of whom he takes hostage.

A true friendship develops between Jojô, a prostitute Rosa, and the young Eduardo, who survive on the streets of Rio de Janeiro. Everything goes well until ambition takes over the trio, causing friends to aim for bigger goals, planning a big assault that could cost them their lives.

Tonho Tiê really likes living free, playing capoeira and drinking. During Carnival he meets beautiful Zulmira; they pledge love and projects for many children. But time passes and Tonho returns to being the womanizer he had always been. Zulmira, daughter of Iansã, cannot stand Tonho's brazenness, and asks her saint-mother to wash her honor with blood.

The painter Tino, in professional and political crisis, receives a telegram from his mother-in-law, Selma, announcing her return from Europe. After his wife's death, Tino continues living with Selma, with whom he had ambiguous relations, which he now wants to sever. Weak at this impossible love, he asks the maid Enedina to lock him in his room. There, he revives memories through letters, notes and photographs. Selma's son João is waiting for her at the airport and dreams of loving fulfillment in his own mother's arms.

A tireless and incorrigible seducer looks for - and seems to find - the woman of his life.