Christina Schollin - sista föreställningen

A psychological drama. The action takes place within a few hours in a woman's life. She is burdened by the decision whether she should leave husband and child in favor of an American she has fallen in love with.

A Swedish writer is visiting Morocco. At his hotel, he stays next door to an Italian couple. He becomes obsessed with the woman, spying and following her. One night she knocks on his door.

Prolific writer Joyce Carol Oates has remained intensely private. Until now. Through a long-standing friendship, and persistent inquiry, director Stig Bjorkman is granted unprecedented access to document her mornings of longhand writing, her walks with her husband—to visit her within her solitude.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson

A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.

Denmark is in deep crisis: the country is hit by general strike, during the holding of a NATO summit in Copenhagen. Meanwhile, a minister is kidnapped by extremists, and state power cracks down against politically-active leftists.

A documentary about repetition. People from different professions give their view on what repetition means to them.

Young children have adventures in a fantasy world.

In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema.

An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

Portrait of Ingmar Bergman, made while he was working on The Touch, about his professional and private life in the early 1970s.

A singer whose companion hates whites falls for a white U.S. photographer in Sweden.

A day in the life of Monika, an ordinary, modern (ca.1975) Swedish woman. Her surroundings are a lot sleeker than her daily existence, though; she's unemployed, her husband is gone, and she's alone in the midst of what ought to be the good life.

Torun and Mikael have been married for a few years. When vacationing on the Danish coast, their young son Melker accidentally drowns. Torun initially blames her sister, who was supposed to supervise her children. Later she turns her anger and grief against her husband. Since none of them know what to do with their feelings, they start to drift apart.

Literature graduate Orlando begins a love affair with the Foreign Ministry official Anders. She follows him to Argentina. There she learns that he is already married.