Samsaram

The film stars Rajendra Prasad and Sruthi in lead roles. Based on Malik's novel of the same name.

Bhavani Devi trains her daughter, Jaya, on how to control her husband, Vijay. However, she is unaware of how many vices her spouse has due to her strong tactics.

The film begins in a compound, the home of three families, Bhaskar (Rajendra Prasad) a bus conductor, Narasimham (Satyanarayana) a typist, and Dharma Rao (Suthi Velu) an accountant. Narasimham has three daughters, Lakshmi (Srilakshmi), Uma (Rajyalakshmi) and Aruna (Gauthami). Lakshmi married a loaf Mohan (Chandra Mohan) one that bothers them. At present, Narasimham is engaged to find alliance for Uma but he is hog-tied because of dowry. Meanwhile, Aruna is a headstrong woman, aspires to couple up with Mr. Moneybag. Besides, Dharma Rao is honest, but his wife Varalakshmi (P.R. Varalakshmi) accustomed to spendthrift life for her vanity. Eventually, Bhaskar maintains an affinity with his neighbors and falls for Aruna, but she is hostile.

Edurinti Mogudu Pakkinti Pellam

Ram Babu, a mimicry artist, likes to collect different kinds of dolls. But he gets shocked when his new doll is possessed by a ghost.

A young man lies that he got married to impress his boss who hates bachelors and shows a random photo of a girl and claims her as his wife. But when she enters his life, things start to change a lot.

Yedanthasthula Meda (transl. Seven Storied Building) is a 1980 Telugu-language drama film, produced under the Jhansi Enterprises banner and directed by Dasari Narayana Rao. It stars Akkineni Nageswara Rao, Sujatha, Jaya Sudha and music composed by Chakravarthy. The film was remade as Hindi movie Pyaasa Sawan (1981) and in Tamil as Maadi Veettu Ezhai (1981).

The film begins with the marriage of Giri (Rajendra Prasad) and Seeta (Rajani). Seeta is an Orthodox woman, who troubles Giri with her traditional customs on the provocation of her grandmother Akhilandeswari (Nirmalamma). Giri works at the branch office of a chit fund company owned by Krishna (Nutan Prasad). Krishna leads a happy family life with his wife Radha (Y. Vijaya). Once he visits the branch office, appreciates Giri's sincerity, gives him the promotion and he is transferred to head office. In the process of searching for a rental house, Giri is attracted towards a prostitute Sandhya (Chandrika). But to his misfortune, they were caught by Police. To escape, he introduces her as his wife and for the witness they call Krishna. Krishna takes them and keeps in his opposite house, helpless Giri has to obey his order.

Balu falls in love with Swapna and her father Chakravarthy, a strict disciplinarian, agrees to their marriage. On the day of their engagement, Balu's friend Surya, drags a reluctant Balu to Lord Ganesh's temple. Balu is afraid that Chakravarthy may cancel the engagement if he is late. So he insists with Surya that they leave the temple. In the ensuing argument between them, Balu ends up insulting Lord Ganesha. Ganesha's mount, Shri Dinka murti is enraged and sends a mouse to teach Balu a lesson. The mouse wreaks havoc in the lives of Balu and Swapna.

Chinnodu and Peddodu, two brothers working at a spinning mill, fall in love with Kavitha. However, they face a problematic situation when Kavitha's marriage is fixed with the spinning mill's owner.

A family consisting of a patriarch, three daughters and their husbands lives in a small village. However, the head of the family is determined to test their bonds.

A rich man decides to get his youngest daughter married to a man who can also handle his finances and become his successor.

A carefree man falls in love with a woman from an affluent background. However, unfathomable circumstances come to the fore when he is set to get betrothed to his girlfriend's sister.

Due to an unexpected turn of events, an upright police officer gets married to two women. Hilarious events follow when he tries to juggle between his two wives.

Geetha, a young woman who lives with a strange illness, confesses her love for Sanjay after his concert. However, things turn towards an unexpected direction when he fails to recognise her.