Death at the Dinner Party

Dr. Bashir Hamed, a Syrian doctor with battle-tested skills in emergency medicine, makes the difficult decision to flee his country and build a new life in Canada with his younger sister Amira. Bash works to navigate a new environment after earning a coveted residency in the Emergency Department of one of the best hospitals in Toronto, York Memorial.

A dramatization of the life and death of Montreal mob boss Vito Rizzuto.

Réal and François are two old buddies in their early 30s who reunite at last to unearth a time capsule bottle which contains their dreams and ambitions from 15 years earlier. The problem is, their little treasure is buried on a plot of land that now belongs to a grumpy old coot, Antoine. Paying big bucks to get at their bottle, they discover that Antoine's daughter, Lea is trying to become pregnant and seeks the help of a gay friend to do it. Back in boyhood mode, Lea becomes the object of their desire.

Ward and Bouchard must face an important car theft ring that turns out to be a lot more than they bargained for: one where the stolen cars will serve as bombs in a well planned terrorist attack.

An ex-special services veteran, down on his luck and desperate for work, takes a job as a security guard at a run-down mall in a rough area of town. On his first night on the job, he opens the door to a distraught and desperate young girl who has fled the hijacking of a Police motorcade that was transporting her to testify as a witness in a trial. Hot on her heels is the psychopathic hijacker and his team of henchmen, who will stop at nothing to extract and eliminate the witness.

The story takes place in 1910 in Montreal, Quebec, while a killer terrorized the city. In the same period, Florence and Camille Courval, two sisters originating in French Manitoba inherit the Eden Museum, where statues of wax in connection with criminal news are housed.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

Max learns that his 17-year-old son Theo has just been recruited by a criminal organization. Desperate to get him out of this situation, Max escapes from prison. He discovers that Theo and his best friend Charly have fallen under the control of Daphne, an alluring femme fatale, who is taking advantage of the teens’ expert computer skills to plan a bold and risky burglary. Quickly understanding he’ll be unable to persuade his son to walk away from it all, Max joins the team in order to protect them.

Born into a modest family, Gerry Boulet found fame with the Québec rock group Offenbach. After a life of drug and alcohol abuse and a great love story, Gerry died of cancer in 1990.

Max leads a good life with Alice and their son Théo; that is until Alice is threatened with death while waiting for a heart transplant. Max promises Théo that he will save Alice, but to keep his word he must find a heart, and fast. Since time is running out and he must find a solution, Max decides to reconnect with his troubled past. His decision will change his life in ways he could never imagine

China, 1862: Lord Lindsey rules the opium trade and enslaves the innocent. The only hope for the oppressed nation, is a covert group of trained Wushu Warriors - The Red Lotus Society – who will fight to restore justice to its people.

To avoid total bankruptcy, a down-on-his-luck show-business legend puts on one last show.

It’s 1993, and Paloma Luisa Marquez Hermosa is on top of the world. Originally from Columbia, she now heads a very discreet – and very efficient – criminal organization that smuggles cocaine into Montreal and launders drug money. Nicknamed the “Cali Cartel Godmother”, she stops at nothing to provide for her family. But Paloma eventually becomes the target of Paul Généreux, an honest cop who’s determined to destroy her organization – until his investigation turns into a tangled web of corruption that reaches the upper echelons of the police force.

A tribute to cinema history from almost one hundred years ago to the present day.