First Time

Five friends (representatives of the Fifties generation) now in their forties, reunite after years of silence: one arrives from jail, where he has been entering and exiting for years; the other comes from a series of 'accidental' murders; another leaves his wife and kids; the fourth is a wonderer; and the last, the sole female, emerges from a lunatic asylum where she's been hiding for years... These outcasts—tortured from barren love affairs, wounded from the deaths of their beloved and betrayed by the politics of their times—hopelessly try to reconstruct the gang of their puberty, but the revolution is lost... Now, each in their own way, will progress into a journey of death, thus opening a new chapter in the history of their generation.

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.

Eirini and Stella are two old maids and sisters who have grown up in the provinces and now live in Athens, in an apartment that looks out onto an open-air cinema. They are almost forty, still virgins and dependent on each other. Their only relative is their cousin Stefanos, with whom they were both in love, but who has been away in Paris for years. When he comes back and visits them, the balance between the two women is upset.

One woman's lonely search for the truth about her mother's murder.

Relationship between two siblings. A violent - emotional journey from childhood to adolescent ferocity.

A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.

A young convict named Antonis, takes a 48 hour discharge from prison. His brother wants to spent this time together, but Antonis has other plans. He meets Olia, a girl who has abandon her household and her boyfriend has pimp her. The two fall in love and the deicide to get married...

A romantic girl, influenced by a popular magazine, has a series of brief adventures with her ambitious cousin, her gay cousin, her neighborhood's electrician and a distant aunt, which will land her from myths and dreams to reality.