18 Shaolin Riders

King and prison escapee join forces. Hsu Feng & Carter Wong Play Yuan Loyalists who thwart an attack from the Mongol General and Mantis Master Chang Yi.

In Chinese folklore a white snake symbolizes a woman, especially an evil type of woman, while a black bull typifies a man, robust, strong and virile. "Black Bull and White Snake", a film version of Young Nien-ts'u's best-selling novel of the same title, is exactly about a white snake-woman, having been sold into prostitution at an early age, is rescued by a black bull of a man only to fall back into the gutter again. A production from the Grand Motion Picture Company, "Black Bull and White Snake" stars Chiang Ching and newcomer Tien Yeh.

Chia Ling plays the title character, who wields her way through a standard martial arts premise, but demonstrates tremendous grace and agility as she chops, kicks, and flies through the air.

Deceit and infidelity dooms a relationship even before it begins. The prolonging of them only causes pain and destruction. This is what happens to our heroine as she enters a relationship tainted with lies.

The Fighting of Shaolin Monk tells the story of the Famed Monk, Tamo (Chen Sing Hong Kong's most prolific action star) who was one of the original founders of the Shaolin Temple. Monk Tamo travels from India preaching peace and Buddhism. But if they wanted peace they never should have gotten Chen Sing to portray Tamo, as he soon gets involved with a local town that is besieged by a warlord who is trying to control the regions water supply. The final fight is Chen Sing vs. Ko Fei in a battle to the death. this is not to be missed!

A government law officer is dispatched to bring his brother's killers to justice. On his bloody mission, untold assassins are thrown at him, but to no avail. One by one they are done away with in a most militant style.

The Lin family, a Taiwanese shipping dynasty in Okinawa, is thrown into turmoil when the second son, Hung-hai, defies his father’s wishes by rejecting an arranged marriage with TV star Yoshiko and falling in love with Hsiu-ling, the daughter of their rival. As generational animosities and cruel twists of fate unravel, Hung-hai spirals into bitterness and alcoholism. Can these star-crossed lovers break free from the bonds of family conflict and rewrite their destinies?

Chuan Yuan is the noble, powerful hero and Shu Pei-pei, one of Shaw’s top swordswoman, is a reluctant bride who comes upon a rebellion plot. They are joined by a large cast of expert fighters and actors all keeping the intrigue and adventure foremost in the film. There’s even a nice surprise ending amidst all the action.

Sin Pal and Hei Sin Lam star in this erotically charged film about two women who are both driven into a life of prostitution but for very different reasons. The first story involves a husband who punishes his wife for cheating; in the other story, a teenager must escape a strange betrothal to an 8-year-old boy.

Tien Yua, most well known for being the bad guy in Wang Yu films, especially the One Armed Boxer is the good guy here. Frankie Wei is in it as his rival. This is a rare film.

The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city. Epic battle scenes employ hundreds of extras, and forest swordplay is reminiscent of House of Flying Daggers.

As the sun sets over an Okinawan beach, penniless middle-aged Taiwanese priest Ching-wen meet Shizuko, a young Japanese woman gazing at the ocean. Drawn by her yearning for a love built on romance rather than convenience, Shizuko defies her parents’ wishes to marry into wealth and boldly pursues a relationship with Ching-wen. However, their May-December romance faces challenges beyond age, identity, and societal judgment. Beneath the surface lies a deeper obstacle rooted in Ching-wen’s past. On the beach where love both begins and ends, Shizuko and Ching-wen must confront the weight of history and personal trauma. Can their love transcend the barriers of age, culture, and a troubled past to endure?

Mr. Hong, a talented music teacher, arrives at a betel nut producing village in southern Taiwan. He meets the beautiful Yue-Hsia and they fall in love. However, Yue-Hsia's father wants to marry her off to a rich businessman.