Dead Man with Hat

A family spends three summer days in a beautiful lake mansion close to Berlin. Together with her new lover, Irene visits her brother Alex, who still inhabits the house with Irene's writer son Konstantin. Konstantin's girl-friend pops in, too, and all of them drift away from each other more and more.

Nadine is obsessed by a memory linked to a haunting tune she can no longer sing, until she hears someone else singing and everything falls back into place again. A melancholic observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.

Perhaps they should never have met, but fate wanted otherwise. Monika and Joseph. She is a curator, he is an immigrant from Congo, a businessman with an unclear past and present. They meet during a police raid at a bar, when the first of many sparks flies between them. An understated love story, a melodrama without pathos, a fragile story about the ambiguous nature of love and the impossibility of overcoming it through reason.

Robert lacks direction and seems alienated as a young adult. He meets a handsome man who, though he gives Robert perspective for a moment, alienates him even further.

Kostja, the German-Russian, and Beatrice, the German-African, have a big argument at night. Beatrice leaves the apartment and leaves Kostja behind with the baby, reinventing herself as an architect and psychologist, as an actress and screenwriter, while Kostja, the bicycle messenger, tries in vain to find somewhere to put his child. At some point he loses it. All three experience their odyssey through a Berlin summer day.

Can you climb and play on monuments? 47 years later, the documentarian Christa Mühl returns with Tobias Lenel and asks today's people what they think about the children playing around the Käthe Kollwitz monument.